An irreverent storyteller who has yet to run out of social norms to skewer.
The Israeli short story writer once again displays his knack for comic, absurd, occasionally dystopian observations.
In 2004, Keret (The Seven Good Years, 2015, etc.) wrote a children’s book called Dad Runs Away With the Circus, a sly tale about a father chafing at the binds of domesticity. He’s still exploring the theme a decade and a half later: The narrator of the title story is trying to save a potential suicide on a nearby rooftop, but his toddler son is clamoring for ice cream while the dad in “To the Moon and Back” promises anything in a candy shop to his son—who then petulantly demands the cash register. (The kids aren’t such great fans of conventional families either: In the gently Kafkaesque “Dad With Mashed Potatoes,” three children are happily convinced their father has shape-shifted into a rabbit.) Keret, who earlier in his career worked more often in flash-fiction mode, benefits from a wider canvas here, particularly in Saunders-esque speculative stories like “Tabula Rasa,” a fable about cloning, or “Ladder,” about the angels left to maintain heaven after God dies. And though Keret has typically eschewed directly addressing tensions in his home country, a number of these stories display the sharp spikes of good political satire, like “Arctic Lizard,” which imagines teenagers recruited for war duty during Trump’s third term. Better still is an untitled story constructed of emails between the director of an escape room who refuses to open his doors on Holocaust Remembrance Day and a stubborn would-be patron; their cartoonishly escalating squabble exemplifies the scramble for the moral high ground that characterizes diplomatic rhetoric. A handful of pieces have flat jokes or weak concepts, but every piece demonstrates Keret’s admirable effort to play with structure and gleefully refuse to be polite about family, faith, and country.
An irreverent storyteller who has yet to run out of social norms to skewer.Pub Date: Sept. 3, 2019
ISBN: 978-1-59463-327-0
Page Count: 224
Publisher: Riverhead
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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