by Etta Kaner ; illustrated by Carl Wiens ‧ RELEASE DATE: Oct. 2, 2018
An eye-opening survey for makers and observers alike.
A world-spanning look at connections between structures and patterns in nature and those designed by modern architects.
Kaner introduces some prominent figures—among them “aquatect” Koen Olthius, Frank Gehry, and the granddaddy of “organic” architecture, Frank Lloyd Wright—as she leads readers past houses that float or rotate, a truss bridge in Japan and an earthquake-resistant one in Greece, some buildings made from tires or other recycled materials, others that collect rainwater or shed excess heat, Norman Foster’s London “Gherkin” (which was inspired by a type of sea sponge), and other examples of architectural biomimesis. In keeping with the premise, Wiens mixes schematic views of foundations and gracefully curving roofs or other structures with close-ups of roots, flowers, the trusses that lighten and strengthen a vulture’s metacarpal bones, hexagons in a beehive, and fractal patterns in leaves and in stone walls. A pair of simple hands-on projects demonstrate design principles, and a set of images of flora and fauna followed by a spread of actual buildings that resemble them offer a final invitation to budding designers to get going. Tiny human figures in a few of the painted illustrations display a range of skin tones.
An eye-opening survey for makers and observers alike. (index, resource list) (Informational picture book. 7-10)Pub Date: Oct. 2, 2018
ISBN: 978-1-77138-781-1
Page Count: 40
Publisher: Kids Can
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
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by Jason Chin ; illustrated by Jason Chin ‧ RELEASE DATE: Sept. 1, 2020
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts.
From a Caldecott and Sibert honoree, an invitation to take a mind-expanding journey from the surface of our planet to the furthest reaches of the observable cosmos.
Though Chin’s assumption that we are even capable of understanding the scope of the universe is quixotic at best, he does effectively lead viewers on a journey that captures a sense of its scale. Following the model of Kees Boeke’s classic Cosmic View: The Universe in Forty Jumps (1957), he starts with four 8-year-old sky watchers of average height (and different racial presentations). They peer into a telescope and then are comically startled by the sudden arrival of an ostrich that is twice as tall…and then a giraffe that is over twice as tall as that…and going onward and upward, with ellipses at each page turn connecting the stages, past our atmosphere and solar system to the cosmic web of galactic superclusters. As he goes, precisely drawn earthly figures and features in the expansive illustrations give way to ever smaller celestial bodies and finally to glimmering swirls of distant lights against gulfs of deep black before ultimately returning to his starting place. A closing recap adds smaller images and additional details. Accompanying the spare narrative, valuable side notes supply specific lengths or distances and define their units of measure, accurately explain astronomical phenomena, and close with the provocative observation that “the observable universe is centered on us, but we are not in the center of the entire universe.”
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts. (afterword, websites, further reading) (Informational picture book. 8-10)Pub Date: Sept. 1, 2020
ISBN: 978-0-8234-4623-0
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
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PERSPECTIVES
PERSPECTIVES
by Mike Lowery ; illustrated by Mike Lowery ‧ RELEASE DATE: Oct. 6, 2020
An immersive dunk into a vast subject—and on course for shorter attention spans.
In the wake of Everything Awesome About Dinosaurs and Other Prehistoric Beasts! (2019), Lowery spins out likewise frothy arrays of facts and observations about sharks, whales, giant squid, and smaller but no less extreme (or at least extremely interesting) sea life.
He provides plenty of value-added features, from overviews of oceanic zones and environments to jokes, drawing instructions, and portrait galleries suitable for copying or review. While not one to pass up any opportunity to, for instance, characterize ambergris as “whale vomit perfume” or the clownfish’s protective coating as “snot armor,” he also systematically introduces members of each of the eight orders of sharks, devotes most of a page to the shark’s electroreceptive ampullae of Lorenzini, and even sheds light on the unobvious differences between jellyfish and the Portuguese man-of-war or the reason why the blue octopus is said to have “arms” rather than “tentacles.” He also argues persuasively that sharks have gotten a bad rap (claiming that more people are killed each year by…vending machines) and closes with pleas to be concerned about plastic waste, to get involved in conservation efforts, and (cannily) to get out and explore our planet because (quoting Jacques-Yves Cousteau) “People protect what they love.” Human figures, some with brown skin, pop up occasionally to comment in the saturated color illustrations. (This book was reviewed digitally with 10-by-17-inch double-page spreads viewed at 45% of actual size.)
An immersive dunk into a vast subject—and on course for shorter attention spans. (bibliography, list of organizations) (Nonfiction. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-338-35973-2
Page Count: 128
Publisher: Orchard/Scholastic
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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