QUEEN BEE

A Regency romp refreshingly centering a multiracial cast of characters of South Asian, East Asian, and African descent.

Three years ago, Lady Ela Dalvi was devastatingly betrayed by her best friend, Poppy Landers, and left hanging by her budding paramour, Lord Keston Osborn, the Marquess of Ridley. Fueled by a desire for retribution for a reputation ruined and relationships cast aside, Ela returns to the London social scene in 1817 as mysterious heiress Miss Lyra Whitley with one Machiavellian goal in mind: taking Poppy down. Disguised by hair dye, a new name courtesy of her benefactor, Lady Felicity Whitley, and the fuller figure of an 18-year-old, Ela schemes to infiltrate and dismantle Poppy’s inner circle, sway her suitors, and tarnish her reputation. It’s mostly easy to stay the course since Poppy’s become even more unapologetically slanderous, but meeting a kindred spirit who’ll become a casualty to her ruse leads to guilt that’s hard to swallow. Ela thought she had steeled her heart, but it’s all too easy to fall back into banter with dashingly distracting Keston. Will Ela’s scheme ultimately satisfy? Dare she set her eyes on long-term happiness? Howard crafts an entertaining exploration of themes of forgiveness and choice as well as power and agency in a society with restrictive rules for women. Alternating chapters switch between the present and the events of three years prior, teasing and unraveling Ela’s motivations and development.

A satisfyingly delightful tale of deception, retribution, and romance.