A short novelistic gem that delivers a time capsule of 1977 Ohio and western Pennsylvania.

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1977 CHRISTMAS MAGIC

COURTESY OF THE SAXON INN

A retired professor of astronomy and astrophysics offers a fictionalized debut memoir about a young family’s holiday that becomes a love letter to Pittsburgh.

It’s 1977 and 5-year-old Jean Capriotti is adjusting to life since the birth of her brother Chris. Still the only girl in a family of five, she has sacrificed youngest child status. When her parents announce the clan will be spending Christmas with her grandparents on the outskirts of Pittsburgh, Jean’s main concern is that Santa Claus will not find her, although her well-meaning parents, her father in particular, believe her concern is attributable to jealousy over her baby brother. Her father, the first-person narrator of the story, attempts to overcompensate, and his plans seem to go awry. But with the support of his wife, Carole, and three older sons, he manages to convince Jean they can leave their home near Columbus, Ohio, for the holiday. The family embarks on a harrowing journey from Ohio to the Pittsburgh area—a trip complicated by snow squalls and high winds that make driving the VW bus a challenge. The father distracts his family from the scary, cold drive by telling them stories of Pittsburgh’s history. Upon arrival, he wastes no time in going to the Saxon Inn, where he eagerly partakes of Iron City Beer and Old Overholt rye whiskey and runs into none other than Santa. Santa’s subsequent visit to Jean restores her faith in her father. Eugene R. Capriotti, a Brackenridge, Pennsylvania, native, captures the true essence of Pittsburgh—not just in the late ’70s, with its obsession with Steelers football, but with comments such as “Pittsburgh is the capital of Western Pennsylvania.” His loving descriptions of the food of his Italian family and his wife’s Slovak relatives, the unique terrain of western Pennsylvania, and the glorious entrance to the city via the parkway will ring true with those familiar with Pittsburgh, and should induce others to want to visit. The author also skillfully evokes late-’70s family life, including watching “Happy Days” on TV and sending children to catechism classes.

A short novelistic gem that delivers a time capsule of 1977 Ohio and western Pennsylvania.

Pub Date: Dec. 11, 2017

ISBN: 978-1-5439-1704-8

Page Count: 100

Publisher: BookBaby

Review Posted Online: May 12, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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