Eerie and effective.
A “found” Russian manuscript recounts a late-19th-century haunting.
Prince Lev Lvov is apprehensive about leaving his beloved mother when he is summoned to St. Petersburg to take up his aristocratic responsibilities in the impossibly cavernous Falcon House. Upon arriving, the dreamy, artistic 12-year-old meets his termagant aunt and an odd assemblage of servants, all of whom remark on Lev’s resemblance to his dead grandfather—in whose creepy study his aunt insists he sleep. Lev is unsettled to discover his hand possessed when he sits down to draw to comfort himself. Those drawings, smudged and torn, provide eerie accompaniment to the text. The mysterious young Vanyousha offers Lev companionship but provokes more questions. Adding a further layer of weirdness, Yelchin positions the story in a “translator’s note” as a document he found as a child. The story is both simple—a ghost story—and as complex as the country it rises from, offering glimpses of Russia’s unique and brutal history in its examination of the institution of serfdom, just recently abolished in Lev’s time, and its exploration of the role of art as a vehicle for liberation. Middle graders unfamiliar with that history will be intrigued by the ghost story and the compelling setting, and explanatory notes both provide context and help to prepare them for such books as Candace Fleming’s The Family Romanov (2014) and M.T. Anderson’s Symphony for the City of the Dead (2015) later on.
Eerie and effective. (Historical fantasy. 9-13)Pub Date: June 14, 2016
ISBN: 978-0-8050-9845-7
Page Count: 320
Publisher: Henry Holt
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
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