Next book

WHERE HAPPINESS BEGINS

A playful, poignant, and wonderfully reassuring book for children as they encounter emotional hills and valleys.

Sometimes Happiness skips right in step with your stride; other times it’s hard to locate or hold onto.

Readers find Happiness within this winning book’s covers, where it takes shape as a cheery neon pink, amorphous figure (with stumpy appendages and a funny little twisty topknot). Bright cartoon illustrations show a pale child in T-shirt and slacks engaging Happiness in myriad (literal) ways. Happiness hula-hoops, reads, marches, and eats ice cream with the youngster; it also gets lost in a dark forest, runs away, and nods off to sleep. The narrator, a steady and soothing voice, sums up what’s so very hard to understand about Happiness. “You can try to understand it, collect it, or protect it. / You can try to catch it.…But most of the time Happiness appears to have a will of its own.” Vivid, straightforward vignettes are done in a springtime palette on spacious cloud-white backdrops with nary a black line in sight. They succinctly illustrate just how exhilarating, elusive, and ephemeral Happiness can be. A powerful spread of the child riding out mammoth waves in a small boat aptly describes the bravery and resolve required to submit to overwhelming feelings and see them through. A culminating image of the sleeping child curled in bed, cuddling Happiness close with lemony morning light filling the room, provides great comfort.

A playful, poignant, and wonderfully reassuring book for children as they encounter emotional hills and valleys. (Picture book. 4-10)

Pub Date: Aug. 25, 2020

ISBN: 978-0-593-12770-4

Page Count: 32

Publisher: Random House

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

Next book

THE BIG CHEESE

From the Food Group series

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)

Pub Date: Nov. 7, 2023

ISBN: 9780063329508

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

Next book

CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

Close Quickview