Next book

THE SECRET OF PLATFORM 13

Old magic breaks loose in modern London to rescue a kidnapped prince in this droll, if formulaic, farce from Ibbotson. When wealthy Larina Trottle decides she wants a child, she snatches the first baby that comes along, leaving distraught royal parents on the other side of an ancient gate (Platform 13, in an old Tube station) that opens once every nine years. Nine years later, through the gate comes a rescue party: an invisible giant, a very old wizard, a fairy, and a young hag-in-training, Odge Gribble. But Raymond Trottle is a fat, selfish, greedy, stupid, thoroughly spoiled child. Reluctantly, with the help of the Trottles' thoroughly likable kitchen boy Ben, the rescuers set about their task, without reckoning just how difficult crafty Larina is going to make it. Ibbotson strews her tale with magic creatures and stock villains, including bodyguard/assassin ``Soft Parts'' Doreen, armed with deadly knitting needles, a terrible lake monster who gives a delicious new meaning to the term ``clear skin,'' and a band of harpies, horrible to behold in pearls, tight perms, and stretch tops. At the very last moment comes the revelation that Ben, not Raymond, is the true prince, and Odge engineers the happy reunion. With scrawled, comic black- and-white drawings by Porter, it's not exactly Roald Dahl, but Ibbotson is at least a distant cousin. (Fiction. 10-13)

Pub Date: March 1, 1998

ISBN: 0-525-45929-4

Page Count: 231

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1998

Next book

THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

Next book

BEOWULF

“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)

Pub Date: Nov. 1, 2006

ISBN: 0-7636-3206-6

Page Count: 96

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2006

Close Quickview