by Eva Mekler ‧ RELEASE DATE: April 1, 1997
A young, beautiful Jewish widow seeks a new life in the DP camps of postWW II Germany in this historically fascinating but emotionally flat first novel by a Polish-born psychologist (Bringing up a Moral Child, 1985, with Michael Schulman, etc.). Manya Gerson, a Polish nonpracticing Jew and an enthusiastic member of the Communist Party, survived WW II by posing as a Christian and working with her husband for the Underground. Though she and her husband, Joseph, live to see the end of the war, Joseph is murdered a short time later by an anti-Semitic Party member. Numb with grief, Manya, after someone tries to shoot her as well, quits her job as a literature professor, flees the country, and eventually finds herself in an American camp for displaced persons in Allied-occupied Germany. Manya feels as alienated at the camp as she did during the war—a Jew who looks and acts like a Gentile, who has no interest in emigrating to Palestine, who wishes only to continue her quiet life in Europe rather than devote herself to supporting the Jewish cause. Nevertheless, her fellow Jews befriend her, and Manya soon finds herself torn between two fellow residents: a reckless gun-smuggler from Palestine, who's certain to be killed eventually, and a Czech scientist with a job and a secure life waiting for him in Paris. Shuttling back and forth between these two men, Manya herself remains strangely unmoved and unmoving, and her decision to throw in her lot with the passionate supporters of an Israeli state, despite her own lack of enthusiasm for the idea, ultimately fails to convince. Wonderful historical detail, and a potentially gripping plot, but handicapped by a drab, almost academic, style.
Pub Date: April 1, 1997
ISBN: 1-882593-17-0
Page Count: 288
Publisher: Bridge Works
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
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More by Eva Mekler
BOOK REVIEW
by Eva Mekler
by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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