An absorbing, restorative tale of community and nature.
An introverted animal lover gets drawn into an anti-development fight in this literary novel.
Lizzy isn’t the biggest fan of people, but she loves animals. An inveterate adopter of strays, she’s amassed a small herd of cats and dogs at her farmhouse. She’s just had to put down her favorite companion, her beloved basset hound, Happy. The death has consumed a lot of her emotional energy, leaving little left over to dedicate to the impending development of nearby Bartons Mill Pond. Russ Henderson, a friend from her activism-centered past, calls her, asking for help blocking the new homes planned for the pond, which abuts Lizzy’s property. “Lizzy, I know you hate the idea of a major subdivision out there,” he says. “Yes,” she responds, “but you also know I’ve given up fighting the world. It doesn’t budge.” Even so, Lizzy finds herself pulled into the cause as well as into the lives of two area boys: Jonas Meyers, a 16-year-old loner who loves to walk through the countryside, and Timmy Donohue, a 10-year-old paperboy struggling with questions of morality. These humans are slightly more complex than the critters Lizzy is used to dealing with, but is there a chance that their presence in her life can draw her closer to the world she’s written off? Silverfine’s prose is earthy and elegant, adept at animating both her characters and the natural world that captivates them. Here, Timmy comes across Jonas on the roadside and asks him what he’s looking at: “Without breaking his skyward gaze, Jonas replied, ‘The moon. And Venus.’ ‘I like when the moon is just a sliver, when you can barely see it but you know the whole moon is there. You can sort of see the dark part of the moon tonight. Venus is really bright.’ ” The story is well paced and the characters are deftly rendered, but it’s the sense of space that the author manages to embody—indoors and outdoors, country and town, and all the areas in between—that imbues the book with its alluring readability. The plot unfolds slowly and without much fanfare, yet readers will immediately be along for the ride—well, less a ride than a solitary stroll down a quiet country lane.
An absorbing, restorative tale of community and nature.Pub Date: Dec. 2, 2021
ISBN: 978-1-68433-821-4
Page Count: 212
Publisher: Black Rose Writing
Review Posted Online: Sept. 29, 2021
Review Program: Kirkus Indie
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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