Original storytelling with the feel of the best folklore, enhanced by illustrations done in a style not seen anyplace else.
The art of storytelling is celebrated as a life-giving force in this enthralling picture book set in Morocco.
A nameless, thirsty boy meets a storyteller and is drawn to return day after day to listen to intricately linked stories and to learn the older man’s art. The stories bring not only sustenance to the boy’s inner life, but water to his lips, for in this world, storytelling and water are symbolically connected. Stories will ward off the great drought if the Sahara encroaches on the cities, but only if young people keep the tradition alive. And so, in the manner of Scheherazade, the stories unfold, and the protagonist retells the story of the boy who saved the city from the sandstorm that arrived as a large djinn by telling him a story, day by day. With the stories embodying sharing, creativity, and hope, the life force of cool blue water appears in the illustrations, the antithesis of the destructive brown sand. Beautiful swirls of blue dominate many of the intricately bordered double-page spreads, fighting against the tans and browns of the djinn and the sands he represents. Each spread takes on a life of its own, sometimes highly geometric, other times full of swiftly crayon-drawn individuals, and still others with heavily inked and outlined figures.
Original storytelling with the feel of the best folklore, enhanced by illustrations done in a style not seen anyplace else. (author’s note, bibliography) (Picture book. 6-11)Pub Date: June 28, 2016
ISBN: 978-1-4814-3518-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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