A moving piece of Americana from a veteran team (Fly Away Home, 1992, etc.), introducing the orphan trains of the 19th and early 20th century to a picture-book audience. Marianne narrates; she's among 14 children from the orphanages and streets of New York City who are being shipped to the "New West" of Illinois and Iowa in search of good homes. At stop after stop her traveling mates are chosen, some clearly for their strength and usefulness, others for their looks. Marianne is neither strong nor pretty and is repeatedly passed over. Secretly she has promised herself that her mother would be at one of the stops to meet her. In the end she is taken in by a nice, elderly couple who readers know will treat her well. Himler's lovely watercolor and gouache paintings express both the loneliness and hope of the children in scene after scene of the rugged new country. A reminder that the good old days were not so idyllic; this book will have a place in the history curriculum, but it's also an involving read-aloud.Jesse Harmon's struggle to cope with the death of his younger brother, Bry, in a hit-and-run accident is complicated by his sense of guilt for having failed to prevent the accident and by his relationship with Bry's girl, Chloe. Jesse had been close to Bry, a talented 16-year-old whose deafness contributed to his death. Trying to deal with their grief, Jesse and Chloe collaborate in a search for the killer; working together, they feel a mutual attraction. Bunting skillfully creates suspense through an elusive witness (a local wino) and a false lead (a young drunk who can't remember whether he killed Bry). When the clues lead inexorably to Chloe's alcoholic mother, Jesse finds himself forced, with her acquiescence, to hurt Chloe by making the truth public. Despite the suspenseful pacing, Bunting handles Jesse and Chloe's relationship with sensitivity. By including several minor characters whose alcoholism is pivotal to the plot, she emphasizes the tragedy that alcohol can inflict on innocent bystanders and other family members.
Pub Date: April 10, 1988
ISBN: 0152058680
Page Count: 148
Publisher: Harcourt Brace Jovanovich
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: March 15, 1988
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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