A 46-page, short-story-scope record of the day Los Angeles high-school football player Luther spends waiting for an offer from Ohio State. Luther and his two friends Griff and Dan, all seniors, are the Chalmers High stars known as "the three from C." Dan, who is deaf, will be playing for Queens, the local junior college, but the other two are holding out for the big time. The St. Francis star, they hear, got a Buckeye offer by phone yesterday; and now, arriving home from school, Griff gets one in the mail. Luther is out when his phone call comes that night, and everyone has heard about it before the coach calls back next day. . . to explain personally that Luther is just too small for the Buckeyes. Embarrassed, Luther lets people think he's turned down Ohio State to support Dan at Queens (at Chalmers, Luther has tapped out the signals to him)—but he owns up when that embarrasses Dan. Later, though, when a full-tuition offer comes from San Diego State ("semi-big time college ball"), Luther tears up the letter. "It had nothing to do with big old Dan, Luther told himself. Nothing whatever," are the story's final words. Except for the "hecks" and "shoots" which make Luther seem pretty square, the brevity and situational suspense might suit this as a hi-lo entry. However, the two-bit characterization doesn't prepare readers to accept that final goody-goody decision.
Pub Date: March 1, 1981
ISBN: 039731941X
Page Count: 56
Publisher: Lippincott
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: March 1, 1981
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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