From a seaside cliff, a boy and his father observe killer whales in Bunting’s poetic ode. “They’re orcas, every one,” the boy’s father explains when they spot five animals frolicking in the distance. “They may have come from colder seas / where icebergs float and break. / Icebergs, blue-white and polished by the sun.” Davis’s realistic illustrations show father and son up-close. He switches perspective in the next spread, zooming in on the whales spraying misty fountains from their blow holes; back on the grassy ledge, the humans are rendered small. The boy’s questions spark discussion and Bunting embeds plenty of information in her verse, especially when she flips points of view, allowing the whales themselves to tell part of the story. For unadulterated information, and an in-depth explanation of concepts touched upon in the text, readers will want to head straight for Bunting’s backmatter. The real draw here, however, is Davis’s true-to-life depiction of these magnificent creatures and the sea they inhabit, making this a satisfying introduction to ocean life and a good starting point for further research. (Picture book. 4-8)
Pub Date: May 1, 2003
ISBN: 0-590-60358-2
Page Count: 32
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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