Rich in narrative choices, if not interactive features—and maybe not the best choice for a younger child’s first exposure to...

MOMONGA'S SNOW WHITE

A concise version of the classic tale, with racy manga-style illustrations. Whoo-hoo!

Clad in a ruffled gown that is high of hem and low of décolletage, buxom, square-eyed Snow White poses fetchingly in the first scene beneath a white palace that belongs in a French manuscript illumination and sprawls across a row of dwarven beds (in her underwear, as a tap of the blanket reveals). After falling to the apple offered by her surprisingly young-looking evil stepmother, she lies in her glass coffin among pink roses in a navel-exposing camisole. Enter a shaggy-haired prince, who bends down (with another tap) to give her a smooch and whisk her away to a “happily ever after.” Though (aside from a nifty dissolve in the magic mirror) the animated effects are stiff and simple, a menu button on each of the ten screens allows viewers to select a text and (optional) audio narration in any of eight languages or choose a version without text. Unusually, readers can also control the volumes of the narration, the sound effects and the tinkly orchestral background music separately with sliders.

Rich in narrative choices, if not interactive features—and maybe not the best choice for a younger child’s first exposure to the story, but teen manga fans will love it. (iPad storybook app. 12-16)

Pub Date: July 29, 2011

ISBN: N/A

Page Count: -

Publisher: DICO

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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A must-read graphic novel that is both heart-rending and beautifully hopeful.

WHITE BIRD

A WONDER STORY

A grandmother shares her story of survival as a Jew in France during World War II.

As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.

A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)

Pub Date: Oct. 1, 2019

ISBN: 978-0-525-64553-5

Page Count: 224

Publisher: Knopf

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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A wartime drama with enough depth and psychological complexity to satisfy budding bookworms.

A PLACE TO HANG THE MOON

Three plucky orphan siblings are in search of a mother in wartime England.

When their grandmother dies, 12-year-old William, 11-year-old Edmund, and 9-year-old Anna are left in London in the care of an elderly housekeeper. As part of the World War II evacuation of children to safety, they are relocated to the countryside, something the family solicitor hopes may lead to finding adoptive parents. However, they are billeted with the Forresters, an unpleasant family reminiscent of the Dursleys. Bullying by their hosts’ two sons, who despise them; the ever present fear of German attack; and the dread of homelessness test their mettle to the limit. The orphans long to find a home of their own, and good boy William is stressed by his responsibility as head of the small family. Edmund’s desire for revenge against the Forresters and a prank involving a snake get them evicted from their billet, and they end up in a much worse situation. They find sanctuary in the village library and a savior in the librarian, who is married to a German and therefore ostracized by the locals. Mrs. Müller provides them with moral support, a listening ear, and true appreciation and love. The classic books she chooses for them—The Wind in the Willows and Anne of Green Gables, among others—may generate ideas for further reading. All characters are White.

A wartime drama with enough depth and psychological complexity to satisfy budding bookworms. (reading list) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2021

ISBN: 978-0-8234-4705-3

Page Count: 320

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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