Rich in narrative choices, if not interactive features—and maybe not the best choice for a younger child’s first exposure to...
A concise version of the classic tale, with racy manga-style illustrations. Whoo-hoo!
Clad in a ruffled gown that is high of hem and low of décolletage, buxom, square-eyed Snow White poses fetchingly in the first scene beneath a white palace that belongs in a French manuscript illumination and sprawls across a row of dwarven beds (in her underwear, as a tap of the blanket reveals). After falling to the apple offered by her surprisingly young-looking evil stepmother, she lies in her glass coffin among pink roses in a navel-exposing camisole. Enter a shaggy-haired prince, who bends down (with another tap) to give her a smooch and whisk her away to a “happily ever after.” Though (aside from a nifty dissolve in the magic mirror) the animated effects are stiff and simple, a menu button on each of the ten screens allows viewers to select a text and (optional) audio narration in any of eight languages or choose a version without text. Unusually, readers can also control the volumes of the narration, the sound effects and the tinkly orchestral background music separately with sliders.
Rich in narrative choices, if not interactive features—and maybe not the best choice for a younger child’s first exposure to the story, but teen manga fans will love it. (iPad storybook app. 12-16)Pub Date: July 29, 2011
ISBN: N/A
Page Count: -
Publisher: DICO
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
None
None
The Potternaut rolls on, picking up more size than speed but propelling 15-year-old Harry through more hard tests of character and magical ability. Rowling again displays her ability to create both likable and genuinely scary characters, most notable among the latter being a pair of Dementors who accost Harry in a dark alley in the opening chapter. Even more horrible, Ministry of Magic functionary Dolores Umbridge descends upon Hogwarts with a tinkly laugh, a taste in office decor that runs to kitten paintings, and the authority, soon exercised, to torture students, kick Harry off the Quidditch team, fire teachers, and even to challenge Dumbledore himself. Afflicted with sudden fits of adolescent rage, Harry also has worries, from upcoming exams and recurrent eerie dreams to the steadfast refusal of the Magical World's bureaucracy to believe that Voldemort has returned. Steadfast allies remain, including Hermione, whose role here is largely limited to Chief Explainer, and a ragtag secret order of adults formed to protect him from dangers, which they characteristically keep to themselves until he finds out about them the hard way. Constructed, like Goblet of Fire, of multiple, weakly connected plot lines and rousing, often hilarious set pieces, all set against a richly imagined backdrop, this involves its characters once again in plenty of adventures while moving them a step closer to maturity. And it's still impossible to predict how it's all going to turn out.
None (Fiction. 12-15)Pub Date: July 1, 2003
ISBN: 9780439358064
Page Count: 896
Publisher: Levine/Scholastic
Review Posted Online: Nov. 2, 2022
Kirkus Reviews Issue: July 15, 2003
SEEN & HEARD
BOOK TO SCREEN
SEEN & HEARD
A must-read graphic novel that is both heart-rending and beautifully hopeful.
A grandmother shares her story of survival as a Jew in France during World War II.
As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.
A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)Pub Date: Oct. 1, 2019
ISBN: 978-0-525-64553-5
Page Count: 224
Publisher: Knopf
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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