Although it’s clear that many characters in the story are there only to serve the plot, the conceit of Seymour’s debut is...

BEAUTIFUL LOSERS

A stalking victim is convinced that she’s the only one who can catch the perp—even when the police wonder if she’s doing the stalking.

Though she’s a clinical psychologist focused on helping people feel sane, Kim Slade fears she may be losing her mind. A childhood accident that left her face scarred attracted Kim to her specialty as an adult: working with young women with eating disorders. Kim wants others to make peace with their physical beings the way she feels she has, but that sense of peace is put into question when it becomes clear that someone has taken an unpleasantly intense interest in her. Several unsolicited packages contain objects, like a mirror, that remind Kim of her own scars, emotional and otherwise. Though she confides in her partner, Chris, his home in Devon is far from her work in Cheltenham, and not just in terms of distance. An independent woman, Kim takes matters into her own hands when she decides that her stalker is Kyle Stannard, a former male model disfigured by a terrible accident. Kim is convinced that her refusal to accept Kyle as a client has led to his obsession with what he takes to be their kinship. When she goes to the police, they want to help but can’t seem to find enough evidence. So Kim makes an effort to catch Kyle in the act. When he claims that she’s following him around, she dismisses his accusations as rubbish. But are they? Kim starts to wonder if her stalker might be someone who knows her more intimately.

Although it’s clear that many characters in the story are there only to serve the plot, the conceit of Seymour’s debut is intriguing.

Pub Date: March 8, 2016

ISBN: 978-0-7387-4643-2

Page Count: 480

Publisher: Midnight Ink/Llewellyn

Review Posted Online: Dec. 23, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...

BADLANDS

Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.

Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.

Pub Date: July 28, 2015

ISBN: 978-0-312-58321-7

Page Count: 272

Publisher: Minotaur

Review Posted Online: April 22, 2015

Kirkus Reviews Issue: May 15, 2015

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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