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THE WORLD OF D.H. LAWRENCE

A PASSIONATE APPRECIATION

Begun in the Thirties (upon the urgings of Miller's Paris publisher, who thought a work of criticism might cement the serious-artist reputation of "pornographer" Miller) and worked on fitfully thereafter until finally abandoned, this paean to D. H. Lawrence is a passionate mess—a surge of homage to the one modern artist whom the young Miller saw as being an "Apostle of Day" as opposed to such "slaves of Night" as Proust and Joyce (and their art-above-life esthetic). Thanks to Lawrence, a new underground artist "among the Chthonian forces, in the unconscious strata of life" will emerge—and Miller despises the "rounded view" of Lawrence that would criticize his failures; for uncritical HM, even failed Lawrence is good. Moreover, Miller's whole argument is heavily swagged with dated intellectual fashion (mostly Spenglerian), and—for all his energy—he'll impress no one as a profound thinker. But certain stresses are interesting here, less for what they say about Lawrence than for what they give us of Miller. For instance, there's the place of women in "the crisis of consciousness"—a central concern for both Lawrence and Miller. (When HM refers to Mabel Dodge Luhan it is always as "that woman," thus re-raising the whole can of worms that Kate Millett first opened re Miller's misogyny.) And when Miller isn't chuffing over "the sacral quality of life itself. . . the true effort of man to restore the pure symbols which are vitiated through culture," he occasionally gets in a piquancy: "In Swift and Rabelais. . . one smells the 'dithyrambic chorus'; it is that note of sublime comedy which gives us the illusion of the demonic." Little, then, for serious students of Lawrence (whose worst or most cracked books—Aaron's Rod, Fantasia of the Unconscious—HM truly loves). But adventurous readers will find engaging kernels here: the fuel pellets that keep the Miller engine anxiously going, afraid to stop, piling page upon page to convince someone or other—probably himself.

Pub Date: June 30, 1980

ISBN: 0884961478

Page Count: 280

Publisher: Capra

Review Posted Online: April 4, 2012

Kirkus Reviews Issue: June 1, 1980

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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