by Evelyn Waugh ‧ RELEASE DATE: Oct. 25, 1977
All different kinds of people are going to be disappointed by these heavily heralded diaries—kept by England's most acerbic schoolboy, playboy, traveler, soldier, and novelist. Scandal-seekers, aroused by news of London brouhahas, will find: some disapproving prep-school comments on boy-boy liaisons (Waugh destroyed the presumably homosexual Oxford diary); in the partying Twenties, page after page of "little lesbian tarts and joyboys," unfamiliar footnoted names, flat decadence ("Olivia as usual behaved like a whore and was embraced on a bed by various people"), and an astonishing, tiresome amount of drinking; and, the one true poison plum, Randolph Churchill on a mission to enemy-occupied Yugoslavia—coughing, farting, always drunk, apparently deserving of Waugh's nowfamous line (after 1964 surgery): "it was a typical triumph of modern science to find the only part of Randolph that was not malignant and remove it." So much for scandal. Students of the English literary scene won't do much better, since Wangh rarely discusses the books he read and reviewed, and his meetings with the Famous resulted in only the briefest notation: Noel Coward—"no brains"; the Sitwells—"Sachie liked talking about sex. Osbert very shy. Edith wholly ignorant." And admirers of the novels will certainly find Waugh's raw, raw materials here (a Welsh prep school, the Bright Young People, arduous travels in Africa and South America, WW II sorties), but hardly any references to the writer's craft appear. As for the man himself—the conversion to Catholicism happens between diaries as do the shattering breakup of his first marriage and his nervous collapse. Only in the last "boiled eggs and narcotics" years, along with scorn for his children, increasing boredom, and fears for society ("How long will Liberty, Diversity, Privacy survive anywhere?"), does the super-critical voice explore inward. Anti-Semitic, racist, labeling those unfortunate enough to cross his path as "odious," "hideous," and "stupid," Waugh put his worst self and much dull detail into these remarkably shallow, though terribly stylish, jottings. Scholars may want to go digging, but those who treasure Tony Last, Guy Crouchback, et al., are advised to steer clear.
Pub Date: Oct. 25, 1977
ISBN: 0753827387
Page Count: 896
Publisher: Little, Brown
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: Oct. 1, 1999
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edited by Donat Gallagher & by Evelyn Waugh
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by Evelyn Waugh
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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