by Ewa Zadrzynska & illustrated by Tomek Olbinski ‧ RELEASE DATE: June 28, 1994
A curious, rather long fable about three animals (a lion, a leopard, and a wolf) who come out of Edward Hicks's painting of The Peaceable Kingdom in the Brooklyn Museum and cause a stir in the nearby botanical garden. While the animals huddle together, wide-eyed, a seven-year-old observes that ``They're beautiful and they're scared....We have to help them,'' but adults are terrified and the police prepare to shoot. The mayor, the press, and famous professors get into the debate about what to do; no one knows what to make of these creatures, which are evidently not predatory. Finally, after a little boy who has seen the animals in the museum recognizes them, the children from the painting are fetched to take the animals back into it. The truants are ready, but sad; they had thought that surely by now the world, too, would be peaceable. Not yet—but everyone is moved by their tears. An intriguing entrÇe into both the Quaker painter's art and its subject. Olbinski's spare, classically constructed settings harmonize nicely with his renderings of Hicks's figures. Reproduction of the painting and list of Hicks's 18 other variations on it; note. (Picture book. 5-11)
Pub Date: June 28, 1994
ISBN: 0-9638904-0-9
Page Count: 32
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 1994
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by William Steig & illustrated by William Steig ‧ RELEASE DATE: Oct. 31, 1998
Steig (Toby, Where Are You?, 1997, etc.), inspired by a game he used to play with his daughter, turns a rainy day into a pizza party, starring a caring father and his feeling-blue son, Pete. Just when Pete was set to go play ball with his friends, it starts to rain. His melancholy is not lost on his father: “He thinks it might cheer Pete up to be made into a pizza.” Which is just what the father proceeds to do. Pete is transported to the kitchen table where he is kneaded and stretched, tossed into the air for shaping, sprinkled with oil and flour and tomatoes and cheese (water, talcum, checkers, and bits of paper). He then gets baked on the living room couch and tickled and chased until the sun comes out and it is time to speed outside, a pizza no more, but happy. What leaps from the page, with a dancer’s grace, is the warmth and imagination wrapped in an act of kindness and tuned- in parenting. As always, Steig’s illustrations are a natural—an organic—part of the story, whether Pete’s a pizza, or not. (Picture book. 5-10)
Pub Date: Oct. 31, 1998
ISBN: 0-06-205157-1
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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