A ghost story that could be described as the Overlook Hotel with Alexa onboard but is, thankfully, frightening in its own...

THE MANSION

A crestfallen engineer reluctantly agrees to rejoin his former partner to troubleshoot a glitch-y artificial intelligence.

There’s a heavy dose of...let’s call it homage...in this spooky ghost story that squeezes in an alcoholic creator, his terrified wife, two psychic children, and a macabre mansion located far from civilization. All that’s missing is a little “redrum.” Fortunately, Boone (Zero Day, 2018, etc.) is a terrific writer and, despite heavy shades of Stephen King’s masterpiece The Shining, turns in a gripping horror novel that uses technology and psychological terror to alarming effect. The story: A decade or so ago, young programmers Billy Stafford and Shawn Eagle left college to hole up in a cabin near the Eagle family’s long-abandoned mansion in a remote part of upstate New York. Their goal: to develop a cutting-edge artificial intelligence. Of course, there’s a girl, Emily Wiggins, who ultimately leaves Shawn for Billy, forcing the band to break up. In the present day, Billy is a fragile, brittle alcoholic swimming in debt, barely hanging on to his remaining grace: his now-wife Emily. He’s suspicious when Shawn, who’s now a multibillionaire from the computing language Billy helped create, offers him a job. It turns out that Shawn has rebuilt his family’s mansion, complete with “Nellie,” the cutting-edge AI that Billy helped bring into existence. But the “ghost in the machine” is deeply, dangerously buggy. Billy and Emily move into the mansion to help decode Nellie’s developing psyche. (Narrator voice: Bad things happen). If there’s a drawback to Boone’s story, it’s that the ménage à trois at the story’s center is composed of three pretty miserable individuals: a boy genius with a god complex; an addict with an inferiority complex, deep-seated rage, and severe guilt over a buried secret; and the girl who wonders if she chose the wrong horse. Regardless, it’s a richly composed, very scary thriller that would be welcome squeezed between Neal Stephenson and Chuck Wendig on your bookshelf.

A ghost story that could be described as the Overlook Hotel with Alexa onboard but is, thankfully, frightening in its own right.

Pub Date: Dec. 4, 2018

ISBN: 978-1-5011-6550-4

Page Count: 432

Publisher: Atria

Review Posted Online: Sept. 18, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once...

DELIVER US FROM EVIL

In Baldacci’s 19th (True Blue, 2009, etc.), boy and girl monster-hunters meet cute.

Evan Waller, aka Fadir Kuchin, aka “the Butcher of Kiev,” aka “the Ukrainian psychopath,” is one of those deep-dyed villains a certain kind of fiction can’t do without. Serving with distinction as part of the Soviet Union’s KGB, he joyfully and indiscriminately killed thousands. Now, many years later, posing as a successful businessman, he’s vacationing in Provence where, unbeknownst to him, two separate clandestine operations are being mounted by people who do not regard him with favor. Reggie Campion—28 and gorgeous—spearheads the first, an ad hoc group of monster-hunting vigilantes. Studly, tall Shaw (no first name supplied) is point guard for a rival team, shadowy enough to leave the matter of its origin ambiguous. While their respective teams reconnoiter and jockey for position, studly boy meets gorgeous girl. Monster-hunters are famous for having trust issues, but clearly these are drawn to each other in the time-honored Hollywood fashion. Shaw saves Reggie’s life. She returns the favor. The attraction deepens and heats up to the point where team-members on both sides grow unsettled by the loss of focus, singularly inopportune since, as monsters go, Waller rises to the second coming of Caligula—ample testimony furnished by a six-page, unsparingly detailed torture scene. In the end, the stalkers strike, bullets fly, screams curdle the blood, love has its innings and a monster does what a monster’s got to do.

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once again show the stuff it’s made of.

Pub Date: April 20, 2010

ISBN: 978-0-446-56408-3

Page Count: 416

Publisher: Avon A/HarperCollins

Review Posted Online: Feb. 4, 2011

Kirkus Reviews Issue: April 15, 2010

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