Written with a great deal of humility; highly reflective, heartfelt guidance for entrepreneurs.
A small business owner shares her fears, failures, and successes in this motivational memoir.
It turns out there are plenty of “F words” that apply to owning a business: Each of the 21 chapters, plus an introduction and close, is titled with one. Building a book around “F words” might have felt somewhat artificial in the hands of a less capable writer than Preslar (On Heaven’s Couch, 2011). Her “French parents brought me into this world as an F word—Fabienne,” one justification for the manual’s amusing title. The author writes with such style, verve, and flair that it is hard not to embrace the concept and follow her journey. While the volume covers the typical ups and downs of small business ownership, one of its more striking elements is Preslar’s authenticity in unveiling her vulnerabilities. She willingly shares the difficult lessons she has learned in life and business, focusing on the realities of facing her fears and rising above failures. For example, the author reveals that fear has, at times, been debilitating, but she has made positive efforts to overcome it. She writes that fear is “like a flame that burns brighter when it’s fanned with avoidance, antianxiety medication, and denial.” Preslar also discusses how, as an introvert, networking and business relationships have not been easy for her, especially when she was unexpectedly “stung” by someone. The author tells a particularly poignant story about one experience with a woman from whom she learned three valuable lessons: “We never know what someone is thinking….We tote our baggage everywhere….We never know what someone is going through.” Such personal insights and refreshing candor lend a richness to the book and move it beyond just another entrepreneur’s account of building a business. Preslar offers helpful counsel to anyone contemplating business ownership, weaving in advice about finances, health, leadership style, interactions with employees, and more. The short chapters are always followed by several thought-provoking questions for readers to consider.
Written with a great deal of humility; highly reflective, heartfelt guidance for entrepreneurs.Pub Date: Sept. 17, 2018
ISBN: 978-1-943070-39-8
Page Count: 216
Publisher: SPARK Publications
Review Posted Online: Nov. 28, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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