Written with a great deal of humility; highly reflective, heartfelt guidance for entrepreneurs.
A small business owner shares her fears, failures, and successes in this motivational memoir.
It turns out there are plenty of “F words” that apply to owning a business: Each of the 21 chapters, plus an introduction and close, is titled with one. Building a book around “F words” might have felt somewhat artificial in the hands of a less capable writer than Preslar (On Heaven’s Couch, 2011). Her “French parents brought me into this world as an F word—Fabienne,” one justification for the manual’s amusing title. The author writes with such style, verve, and flair that it is hard not to embrace the concept and follow her journey. While the volume covers the typical ups and downs of small business ownership, one of its more striking elements is Preslar’s authenticity in unveiling her vulnerabilities. She willingly shares the difficult lessons she has learned in life and business, focusing on the realities of facing her fears and rising above failures. For example, the author reveals that fear has, at times, been debilitating, but she has made positive efforts to overcome it. She writes that fear is “like a flame that burns brighter when it’s fanned with avoidance, antianxiety medication, and denial.” Preslar also discusses how, as an introvert, networking and business relationships have not been easy for her, especially when she was unexpectedly “stung” by someone. The author tells a particularly poignant story about one experience with a woman from whom she learned three valuable lessons: “We never know what someone is thinking….We tote our baggage everywhere….We never know what someone is going through.” Such personal insights and refreshing candor lend a richness to the book and move it beyond just another entrepreneur’s account of building a business. Preslar offers helpful counsel to anyone contemplating business ownership, weaving in advice about finances, health, leadership style, interactions with employees, and more. The short chapters are always followed by several thought-provoking questions for readers to consider.
Written with a great deal of humility; highly reflective, heartfelt guidance for entrepreneurs.Pub Date: Sept. 17, 2018
ISBN: 978-1-943070-39-8
Page Count: 216
Publisher: SPARK Publications
Review Posted Online: Nov. 28, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.
A brisk study of 20 of the Bard’s plays, focused on stripping off four centuries of overcooked analysis and tangled reinterpretations.
“I don’t really care what he might have meant, nor should you,” writes Smith (Shakespeare Studies/Oxford Univ.; Shakespeare’s First Folio: Four Centuries of an Iconic Book, 2016, etc.) in the introduction to this collection. Noting the “gappy” quality of many of his plays—i.e., the dearth of stage directions, the odd tonal and plot twists—the author strives to fill those gaps not with psychological analyses but rather historical context for the ambiguities. She’s less concerned, for instance, with whether Hamlet represents the first flower of the modern mind and instead keys into how the melancholy Dane and his father share a name, making it a study of “cumulative nostalgia” and our difficulty in escaping our pasts. Falstaff’s repeated appearances in multiple plays speak to Shakespeare’s crowd-pleasing tendencies. A Midsummer Night’s Dream is a bawdier and darker exploration of marriage than its teen-friendly interpretations suggest. Smith’s strict-constructionist analyses of the plays can be illuminating: Her understanding of British mores and theater culture in the Elizabethan era explains why Richard III only half-heartedly abandons its charismatic title character, and she is insightful in her discussion of how Twelfth Night labors to return to heterosexual convention after introducing a host of queer tropes. Smith's Shakespeare is eminently fallible, collaborative, and innovative, deliberately warping play structures and then sorting out how much he needs to un-warp them. Yet the book is neither scholarly nor as patiently introductory as works by experts like Stephen Greenblatt. Attempts to goose the language with hipper references—Much Ado About Nothing highlights the “ ‘bros before hoes’ ethic of the military,” and Falstaff is likened to Homer Simpson—mostly fall flat.
A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.Pub Date: April 21, 2020
ISBN: 978-1-5247-4854-8
Page Count: 368
Publisher: Pantheon
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.
The undisputed champion of the self-conscious and the self-deprecating returns with yet more autobiographical gems from his apparently inexhaustible cache (Naked, 1997, etc.).
Sedaris at first mines what may be the most idiosyncratic, if innocuous, childhood since the McCourt clan. Here is father Lou, who’s propositioned, via phone, by married family friend Mrs. Midland (“Oh, Lou. It just feels so good to . . . talk to someone who really . . . understands”). Only years later is it divulged that “Mrs. Midland” was impersonated by Lou’s 12-year-old daughter Amy. (Lou, to the prankster’s relief, always politely declined Mrs. Midland’s overtures.) Meanwhile, Mrs. Sedaris—soon after she’s put a beloved sick cat to sleep—is terrorized by bogus reports of a “miraculous new cure for feline leukemia,” all orchestrated by her bitter children. Brilliant evildoing in this family is not unique to the author. Sedaris (also an essayist on National Public Radio) approaches comic preeminence as he details his futile attempts, as an adult, to learn the French language. Having moved to Paris, he enrolls in French class and struggles endlessly with the logic in assigning inanimate objects a gender (“Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never live up to all that their sex implied?”). After months of this, Sedaris finds that the first French-spoken sentiment he’s fully understood has been directed to him by his sadistic teacher: “Every day spent with you is like having a cesarean section.” Among these misadventures, Sedaris catalogs his many bugaboos: the cigarette ban in New York restaurants (“I’m always searching the menu in hope that some courageous young chef has finally recognized tobacco as a vegetable”); the appending of company Web addresses to television commercials (“Who really wants to know more about Procter & Gamble?”); and a scatological dilemma that would likely remain taboo in most households.
Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.Pub Date: June 1, 2000
ISBN: 0-316-77772-2
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
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