Ng’s novel finds its force in the latter stages, which explore the bond between a lively, confident American daughter and...
Ng’s second novel (Bone, 1993) depicts the tensions and affections of a complex Chinese-American family in San Francisco.
In 1952, Jack Moon Szeto is admitted to the United States as the “son of a native,” Gold Szeto, a businessman and fixer for whom he goes to work as a butcher. Jack becomes something of a Chinatown lothario (“Lord of the Peach Blossoms, lucky in the garden” to use his flowery phrase), but that ends when he falls in love with Joice, daughter of the neighborhood’s corpse-washer and thus, to many, untouchable by association. When Joice becomes pregnant with a daughter and Gold arranges for Jack’s Chinese bride—actually a mistress for his sponsor—to join her “husband” stateside, Jack makes a fateful decision. He informs on Gold to the McCarthy-era Chinese Confession Program, and Gold is deported—not before issuing the order that Jack surrender a pound of flesh (in this case a hand) for his betrayal. Joice, who longs to escape the physical and spiritual confines of Chinatown, moves away and marries. The first half of the book is written in spare, lyrical prose that can be affecting but also frustrating; there’s too much grand abstraction, too much dialogue like “Don’t be a coolie of love!” and “A muddled heart never leads the hero to a new dawn.” Yet Ng also provides brisk, unadorned descriptions of butchery, fortune-cookie making, and more. The book picks up considerably in the second half, which focuses on Jack’s American-born daughter and her loving but fractious relationship with her father, who’s hampered by poor English, his physical handicap and a childhood whose central, awful event she can scarcely imagine. Here the author discovers her true subject: the cultural gulf between immigrants and their children, between aliens and citizens, the naturalized and the native.
Ng’s novel finds its force in the latter stages, which explore the bond between a lively, confident American daughter and her remote Chinese father.Pub Date: May 13, 2008
ISBN: 978-0-7868-6097-5
Page Count: 256
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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