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GRANDPA IN SPACE

Children hoping for a substantive tour of the solar system may be disappointed, but those who click with the games should...

A skim across the solar system serves as a framework for a set of elementary matching and counting games.

A grandfatherly narrator invites children to pick a planet from a tappable menu of nine images with fact boxes (the sun is not included in the tour; Pluto is called a “dwarf planet”). Readers then drag a three-piece rocket together, blast off and pause in low orbit for a live-action video clip of astronauts at work or play. On the way to the chosen destination and a video-only digest of basic facts, opportunities await to blast asteroids in numerical order, count aliens’ legs, sort floating stuff into labeled bins and other fun. Significantly, the video/fact screens feature a prominent “Skip” button, but the games do not, indicating that the latter are the main event. So rigid is the design that the trip is the same whether the destination is Earth or Pluto, though the games played on the way may vary. The 10 games can supposedly be customized according to user level, but what that seems to mean is that individual exercises can be turned on or off. The mix of cartoon scenes, space photography, video and space art blend reasonably well, and children who do not skip the videos could well pick up a fact or two.

Children hoping for a substantive tour of the solar system may be disappointed, but those who click with the games should build some skills. (iPad informational/math app. 6-8)

Pub Date: May 29, 2014

ISBN: N/A

Page Count: -

Publisher: Fairlady Media

Review Posted Online: Aug. 6, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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