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THE EMPRESS OF ONE

Sullivan, winner of Milkweed's 1996 National Fiction Prize for her fifth novel, this follow-up to The Cape Ann (1988), limns with discerning sympathy the struggle of a young girl to escape the terrible toll of a mother's mental illness. The story is set once again in the small town of Harvester, Minnesota; the time now is the mid-1930s, when Sally Wheeler's mother Stella begins having crying spells. She cries when Sally enters kindergarten, she cries in department stores, she cries over anything remotely sad. By the age of seven, Sally resolves that she will never cry as long as she lives. And while her mother gets worse, sinking farther and farther into a depression blamed on menopause, Sally struggles to live a normal life. Sullivan's insights into a child's desperate need for normality and acceptance give immediacy to her story. Close friends like Lark and Beverly- -characters from The Cape Ann—help, as do adults like Lark's mother Arlene Erhart and the widowed Mrs. Stillman and her shell- shocked son Hillyard. Grandparents are loving and attentive, and so is father Donald, but nothing can compensate Sally for her mother's worsening condition. Stella is eventually hospitalized; Sally and her father become the subjects of local prejudice; and, as Sally moves on to high school, these pressures take their toll: Her grades decline, she begins sleeping with boys, and she becomes involved with pathologically possessive Cole Barnstable. A drama teacher, recognizing her acting ability, helps her find some contentment, but when he dies in an accident, Sally falls apart, retreating into herself and cleaning house obsessively, although good friends do come through. Finally encouraged to realize her talents, Sally writes and stars in the ``The Kingdom of Making Sense,'' a play celebrating a place ``where everything is possible, for sadness rarely lasts beyond an hour.'' A perceptive and refreshingly unsensational account, if at times too slowly paced, of a child's determination to claim and affirm life.

Pub Date: Sept. 1, 1996

ISBN: 1-57131-011-8

Page Count: 424

Publisher: Milkweed

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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