If this all sounds more than a little familiar, it is.

HABITS OF THE HOUSE

Prolific Weldon borrows heavily from both Downton Abbey and Upstairs Downstairs in her first in a series of three novels about Edwardian Britain, all to come out within the next year.

Weldon begins her novel over 10 years earlier than the two TV series, but the dramatic elements are the same: a wealthy family and its servants (although they get short shrift here) reacting to social, economic and political changes. In 1899, Victoria is an aging queen, her son the Prince of Wales is a philandering gambler, and the second Boer War is about to break out in southern Africa. At 17 Belgrave Square, Robert Hedleigh, the Earl of Dilberne, has an unexpected visit from his Jewish banker, Mr. Baum. Mr. Baum has lent the earl quite a bit of money, but Lady Isobel balks at extending a social invitation to Mrs. Baum in return. Now, Mr. Baum explains that the Boer situation has ruined the earl’s African mining investments. The family faces a potential financial crisis that is unlikely to be solved by the earl’s gambling forays with the Prince of Wales. Since suffragette daughter Rosina seems unmarriageable, Lady Isobel—well aware that the earl married her for her father’s money—sets out to find a rich wife for son Arthur, whose current love interests are his steam-engine automobile and the buxom blonde whose rent he pays, unaware that she was kept by his father before him. With the aid of lady’s maid Grace, who has her own romantic history with Arthur, Lady Isobel turns up Minnie O’Brien, a meatpacking heiress from Chicago recently arrived in London with her loudly American mother. Minnie is charming as well as rich; even Grace finds herself won over. But Minnie has her own secrets. Will love and Minnie’s money combine to save the household or will scandal wreak havoc?

If this all sounds more than a little familiar, it is.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-02662-0

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Sept. 30, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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