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THE CHORD OF LONGING

MY LIFE AS ATHEIST, MARXIST, MOTHER, NUN

While painstakingly detailed at times, this book delivers an honest portrayal of a singular religious odyssey.

A debut memoir explores one woman’s long road from atheism to Roman Catholicism.

The author reveals at the outset of her book that she is currently a Benedictine nun. But while she was growing up, she never imagined she would become one. How did she go from “Martha Curti, atheist and Marxist, to Mother Felicitas, nun”? The answer to that question involves a look at the author’s intriguing life. She was born in 1932 while both of her parents were teachers at Smith College. She spent much of her childhood in Wisconsin before attending college. Curti studied music at Oberlin and married a man she met there in 1953. The marriage was fueled by political passions, and the author gave birth to two sons. But the union did not last, and eventually Curti found herself a single mother without much direction. She ended up pursuing her interest in music and embarked on a turbulent career in academia. This move eventually led her to teaching in New Jersey, where she struggled with her dissertation as well as her outlook on the world. It was in this state that she became a Catholic, and, after lots of introspection, she was drawn to the life of a Benedictine nun. The author’s gradual transformation is a unique one. The memoir, interspersed with color and black-and-white photographs, effectively draws on years of journal entries to help paint the picture of a woman who eventually found her way. Curti deftly describes a path that was not direct but was touchingly sincere. Although passages about musicology may be baffling to the uninitiated (a portion on Sacred Harp singing is difficult to grasp without hearing the form), part of the book’s appeal is its incorporation of relatively obscure topics. The work offers much to learn on subjects that include Gregorian chant, the lengthy process of becoming a nun, and the daily schedule in a “monastic community,” which, in the case of the author, included praying Matins at 2 a.m. But it is the account’s frankness about Curti’s arduous journey to self-discovery that ultimately makes it worthwhile.

While painstakingly detailed at times, this book delivers an honest portrayal of a singular religious odyssey.

Pub Date: May 17, 2018

ISBN: 978-1-4575-4954-0

Page Count: 284

Publisher: Dog Ear Publishing

Review Posted Online: July 2, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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