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SEVEN FULL DAYS

An engrossing Christmas Carol–esque parable of modern racism.

Awards & Accolades

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A debut novel tells the story of a rising Atlanta businessman visited by disturbing dreams of the slavery era.

Jason Scott and his wife, Callie, get into a fight on the way home from a party with some of his co-workers. Callie feels that Jason’s ambition allows him to tolerate overt racism from his bosses while he thinks she is naïve about what it takes to get ahead in America. That night, while sleeping on a futon on the deck of their spacious Atlanta home, Jason has an incredible dream: He is flying without a plane (or even a body) across a sky. Descending through a hole in the clouds, he flies up behind a group of lightly dressed blacks walking along a forest path: “Jason realized he was headed directly for the man in front. Without a hint of deceleration, he was about to crash into the back of the man’s head.” Over the course of the next week, the waking Jason reflects on his long relationship with Callie while being forced to mete out increasingly demeaning admonishments to his black co-workers on behalf of his white managers. At night, however, Jason watches from inside the head of his ancient black host—without the ability to comment or control the man’s actions—as the figure is captured, placed in chains, and marched to a dungeon. What will these lessons of the slave trade teach Jason about his station in contemporary America? Shelton writes in a descriptive prose that captures his characters’ emotional states in vivid detail: “Their pupils were dilated, indistinguishable from the pitch-blackness of the rest of the room. If eyes are windows to the soul, he saw sets of eyes—scores of them, all reflecting souls traumatically impaired.” While the premise of the book might sound heavy-handed, the author shapes it with a surprising amount of grace and nuance. Jason is no Ebenezer Scrooge, and the everyday racism of contemporary America is shown to be both pernicious and exhausting. While perhaps too didactic for some readers, the novel strives—and largely succeeds—to present the issue in its complexity.

An engrossing Christmas Carol–esque parable of modern racism.

Pub Date: N/A

ISBN: 978-1-945473-70-8

Page Count: 251

Publisher: Off the Common Books

Review Posted Online: Aug. 23, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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