by Fiona Barton ‧ RELEASE DATE: Feb. 16, 2016
The idea of a woman who stands beside an alleged monster is an intriguing one, and very nearly well-executed here, if it...
A woman whose recently deceased husband was the prime suspect in a horrific crime struggles with how—and if—she wants to step out from behind his shadow.
Only a week after Jean Taylor’s husband, Glen, stumbled in front of a London bus and died, the titular widow is beset by journalists begging for the exclusive rights to her story. Told from alternating perspectives—the widow, the journalist, the detective—and ping-ponging back and forth in time, Barton’s debut is unfortunately more conventional than it first appears. At its core is the abduction of 2-year-old Bella Elliott from her Southampton backyard. With no immediate leads, the investigation, led by DI Bob Sparkes, flounders for weeks, which turn into months, until a tip leads Sparkes and his team to a blue van seen in the vicinity and thus to Glen, a delivery driver. Jean thought her marriage to Glen was the stuff of fairy tales: they’d married young, and he’d promised to always take care of her. She’s the faithful, steadfast wife, even when the police start poking around Glen’s life and it’s revealed that he has a proclivity for child pornography—Jean refers to it as his “nonsense.” But the question of how much she really knows about Glen’s guilt—he was acquitted on all charges and successfully sued the police, but Bella is still missing—is what the Daily Post’s Kate Waters, who finally coaxes the story out of her, is determined to uncover.
The idea of a woman who stands beside an alleged monster is an intriguing one, and very nearly well-executed here, if it weren't bogged down with other too-familiar plotlines.Pub Date: Feb. 16, 2016
ISBN: 978-1-101-99026-1
Page Count: 336
Publisher: New American Library
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Share your opinion of this book
More by Fiona Barton
BOOK REVIEW
by Fiona Barton
BOOK REVIEW
by Fiona Barton
BOOK REVIEW
by Fiona Barton
by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
Awards & Accolades
Likes
29
Our Verdict
GET IT
New York Times Bestseller
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Share your opinion of this book
More by J.A. Jance
BOOK REVIEW
by J.A. Jance
BOOK REVIEW
by J.A. Jance
BOOK REVIEW
by J.A. Jance
by Michael Crichton ‧ RELEASE DATE: May 23, 2017
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
Share your opinion of this book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.