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THERE IS NOTHING FOR YOU HERE

FINDING OPPORTUNITY IN THE TWENTY-FIRST CENTURY

A shrewd, absorbing memoir that casts a sharp eye on America's future while offering feasible solutions for change.

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A renowned expert on modern Russia recounts her struggles overcoming economic and social barriers growing up in northern England and draws attention to the looming issues of inequality she sees in the U.S.

Hill had been a foreign affairs adviser for many years before serving as an official for the U.S. National Security Council under Donald Trump, yet it was through her engagingly blunt witness testimony during Trump’s first impeachment trial that she gained national attention. Her personal story, in particular, attracted the public’s interest and curiosity. In this ambitious, immensely compelling memoir, Hill interweaves her interesting life story with events and issues she has continued to observe during her career. “My life experiences, long before I ended up in the Trump White House, had opened my eyes to the dangerous consequences of economic disruption and social dislocation,” she writes. “In the United Kingdom, my family experienced the overwhelming sense of economic precariousness and political disenfranchisement that also beset millions of people in the U.S. over the generations stretching from the 1960s to 2020.” The author persuasively argues that America may be heading in a similar direction to Russia unless we address the crucial challenges facing much of the country, specifically regarding education, health care, and job opportunities. Drawing insightful parallels between Trump and Putin, she unpacks how the threat of populism can quickly undermine democracy: “If we fail to fix our ailing society by addressing them and providing opportunity for all, another American president, just like Vladimir Putin, might decide to stay in power indefinitely.” Currently a senior fellow at the Brookings Institution, Hill also recounts her personal challenges as a woman working in the highest levels of government, struggles that all women readers will recognize, regardless of their workplace.

A shrewd, absorbing memoir that casts a sharp eye on America's future while offering feasible solutions for change.

Pub Date: Oct. 5, 2021

ISBN: 978-0-358-57431-6

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CINEMA SPECULATION

A top-flight nonfiction debut from a unique artist.

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The acclaimed director displays his talents as a film critic.

Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.

A top-flight nonfiction debut from a unique artist.

Pub Date: Nov. 1, 2022

ISBN: 978-0-06-311258-2

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 31, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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