The author deftly plumbs the depths of Mary’s psyche to enlighten us about both Shelleys and reveal the profound effects...
A fresh biography of Mary Shelley (1797-1851), who created the monster that has become “part of our shared imagination.”
Mary’s mother, Mary Wollstonecraft, died just after she was born, leaving her and her older, illegitimate sister, Fanny, to be raised by her father, William Godwin. Since her parents were two of the leading political philosophers of the time, Mary received a fine education in the humanities, developing her reasoning skills. Godwin was also an anarchist and utilitarian who seemed to approve of the Romantic poets and free love—except for Percy Shelley. As his protégé, Shelley met Mary when she was 16, and he was married with a pregnant wife. They soon ran off to Europe and took Mary’s stepsister, Jane, with them. Throughout the marriage, they shared their talents and supported and encouraged each other. But Shelley handled money poorly, and they soon had to return to London to the first of innumerable homes throughout Europe. Jane, who soon changed her name to Claire, met and fell for Lord Byron and persuaded Percy and Mary to meet up with him at Lake Geneva. As Sampson (Lyric Cousins: Poetry and Musical Form, 2016, etc.) shows in this perceptive biography, it was there that Frankenstein was born, with Byron’s challenge to write ghost stories. Begun when she was 19, Mary’s novel, often considered the first work of science fiction, was finished and published before she was 21. With it, she changed the face of fiction, revealing the experimental spirit of the Romantic period. Unfortunately, their marriage was also experimental and filled with inequities. Shelley was a firm believer in free love, particularly for himself. After a series of pregnancies and only one surviving child, Mary still believed in their love, even more so after his death. Throughout, Sampson demonstrates why the story of Shelley and Frankenstein remains so intriguing, even today.
The author deftly plumbs the depths of Mary’s psyche to enlighten us about both Shelleys and reveal the profound effects they had on each other.Pub Date: June 5, 2018
ISBN: 978-1-68177-752-8
Page Count: 336
Publisher: Pegasus
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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