LOOK

A delightful exploration of a thematic concept, exceptionally designed and thoroughly charming. (Picture book. 4-7)

A sibling pair experiences their world through words with a double O.

Two pajama-clad kids stretch as the sun rises over farmland, the yellow orb simultaneously creating an “o” in the title “LOOK,” setting the stage for Woodcock’s graphic play on the double O. Sunny-side-up eggs make “FOOD” for breakfast before the family car’s tires “ZOOM” them to the zoo. The search for the double Os continues with more park fun, as kangaroos, cockatoos, baboons, and balloons delight the siblings. After heading home, bath bubbles result from their “shampoo” before the two curl up with a good “BOOK.” The children, with their blue-black hair and peach complexions, “snooze” under a starlit sky, the full “moon” high above. The illustrations, done in a primary palette, have a simplicity that makes each shape immediately identifiable. Through the use of hand-cut rubber stamps and stencils, airbrush-like pens, and pencil linework that’s then digitally composited, Woodcock creates art that feels hand-crafted, warm, and extremely appealing. Much like Ed Emberley’s Drawing Books series, there is an overall theme with interesting images from page to page—each spread creating its own tableau within a loose narrative structure. But upon repeat visits, readers may find a more intentional rhythm to the tale, one that takes readers on a journey from morning excitement to evening sleep.

A delightful exploration of a thematic concept, exceptionally designed and thoroughly charming. (Picture book. 4-7)

Pub Date: July 10, 2018

ISBN: 978-0-06-264455-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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