Lost in a morass of endless, unfocused detail lies the dramatic story of Caroline, the Princess of Wales, whose marital strife and mass popularity rival that of Princess Di. The life of Queen Caroline (17681821), filled as it was with private and public scandal, despair, and drama, is certainly a subject worthy of a modern biographer. Born a Brunswick princess, she was paired off with her cousin George, Prince of Wales, in 1795, in what was from the start an insufferable marriage. Not only were the two ill-matched (he was fastidious and claimed that she smelled), but George also brought with him the scandal of a possible previous marriage. Add to the mix George's sundry lovers and the punitive restrictions on his wife's personal freedom, and the marriage was doomed to spectacular conflict. Within weeks the two were living apart, although they managed to produce a child, Princess Charlotte. Caroline, portrayed by Fraser (Emma, Lady Hamilton, 1987) as more the spirited fighter than the submissive victim, creates her own world, one that includes numerous scandals, romantic liaisons, and continental travel. An amalgam of the three (extensive residence in Italy in the company of an Italian lover once in her service) finally brings about her undoing but also garners her public support. The current royal family's annus horibilis appears tame in comparison to the year 1820 in the life of Queen Caroline: She is tried for adultery and, though acquitted, is subsequently denied admission to the coronation of her husband, King George IV. She dies soon after. How could you go wrong with such material? Alas, Fraser snatches defeat from the jaws of victory. Vast masses of detail clutter a narrative that lacks a framework and focus. ClichÇs make tiresome reading even more disheartening. Still, for the reader willing to toil through the text, this offers a valuable perspective on the past and present drama of British royal families. (16 pages color photos, not seen)
Pub Date: May 14, 1996
ISBN: 0-394-56146-5
Page Count: 560
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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