Well-deserved woe unto adults who do Dillweed wrong! His parents are off voyaging, and he’s poetically jealous: “Dillweed liked to go places. He liked to have adventures. He liked to have a good time. His parents went places. His parents had adventures. His parents had a good time. The parents. Not Dillweed.” Using ink and gouache, Ellis paints the minimalist gothic mansion in low-intensity rust, brown and gray; adorable pet reptile Skorped is a refreshing pale blue. Garishly distorted bodies and faces reveal the odiousness in nasty servants Umblud and Perfidia and their guests. Heide and her family’s text is elegantly understated: “Dillweed did something”—the illustrations show that Dillweed conjures gray ghouls; “Umblud made a foolish mistake”—Umblud drinks lethal poison that Perfidia meant for Skorped; “Perfidia made a foolish mistake”—Perfidia gets crushed under a wardrobe by a gray ghoul. Even subtler is Dillweed’s revenge against Skorped’s next attackers. Dillweed and Skorped “wished the parents would go away," and lickety-split, a black wreath adorns the manor’s door while boy and pet depart for their long-denied adventures. Good, macabre fun. (Picture book. 9 & up)
Pub Date: Sept. 1, 2010
ISBN: 978-0-15-206394-8
Page Count: 48
Publisher: Harcourt
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The intelligences here may be (mostly) artificial, but the feelings are genuine and deep.
A Mars rover discovers that it has a heart to go with its two brains.
Warga follows her cybernetic narrator from first awareness to final resting place—and stony indeed will be any readers who remain unmoved by the journey. Though unable to ask questions of the hazmats (named for their suits) assembling it in a NASA lab, the rover, dubbed Resilience by an Ohio sixth grader, gets its first inklings of human feelings from two workers who talk to it, play it music, and write its pleasingly bug-free code. Other machines (even chatty cellphones) reject the notion that there’s any real value to emotions. But the longer those conversations go, the more human many start sounding, particularly after Res lands in Mars’ Jezero Crater and, with help from Fly, a comically excitable drone, and bossy satellite Guardian, sets off on twin missions to look for evidence of life and see if an older, silenced rover can be brought back online. Along with giving her characters, human and otherwise, distinct voices and engaging personalities, the author quietly builds solid relationships (it’s hardly a surprise when, after Fly is downed in a dust storm, Res trundles heroically to the rescue in defiance of orders) on the way to rest and joyful reunions years later. A subplot involving brown-skinned, Arabic-speaking NASA coder Rania unfolds through her daughter Sophia’s letters to Res.
The intelligences here may be (mostly) artificial, but the feelings are genuine and deep. (afterword, resources) (Science fiction. 9-13)Pub Date: Oct. 4, 2022
ISBN: 978-0-06-311392-3
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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