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LUPE VELEZ AND HER LOVERS

Dizzyingly dreadful bio of the once-famous ``Mexican Spitfire,'' who racked up lovers like billiard balls and married Tarzan, a.k.a. Johnny Weismuller. Paste-up can't get more cockeyed than this, with Conner (Golf!, 1992, etc.—not reviewed) giving fuller sketches of Velez's endless lovers and many colleagues than of the actress herself (1908-44), who doesn't show up for pages at a time while we read potted lives of Clark Gable, Gary Cooper, Charlie Chaplin, or whomever. The Chaplin pillow-talk is especially sappy: Chaplin, Conner says, kept his affair with Velez hidden and therefore nothing is known about it; meanwhile, the author offers the tidbit that Chaplin's 14-year-old mistress, Lilita Grey, was the original for Nabokov's Lolita, a piece of gratuitous information that Conner fails to support. A lifelong hellion born in Mexico during a hurricane, the tiny, ever-strife-ridden Velez said that she was born fighting. By her mid-teens, she was already an entertainer, thought herself a star, and, following stage appearances in Hollywood with Fannie Brice, entered films. Her first starring role was in The Gaucho, opposite 45-year-old Douglas Fairbanks, with whom, Conner suggests, Velez had a brief fling that depressed Mary Pickford for five years. Readers will find themselves buffeted by bios of Hollywood folk only glancingly acquainted with Velez (such as F. Scott Fitzgerald, whom Velez hisses as he sings at a party), and few will be able to keep a scorecard on the actress's lovers or to separate them from figures in passing whose pointless bios merely add fluff. Life with Weismuller, Conner says, left the actor bruised and so scratched that only studio makeup artists kept him filmable. Velez killed herself early on, overdosing on Seconal, her bedroom gaudily decorated for the farewell performance. A benchmark in the art of paste-pot bio—and winner of the Plan Nine from Outer Space Award as the worst movie book ever written. (Sixteen pages of photographs)

Pub Date: Nov. 12, 1993

ISBN: 0-942637-96-8

Page Count: 248

Publisher: Barricade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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