Readers will swallow this book whole, appetites whet for the next installment.

SUMMER IN THE CITY

From the Mango Delight series , Vol. 2

Mango Delight’s summer takes a detour when she is asked to star in an off-off-off-Broadway musical in New York City.

Mango, a 12 ½-year-old black girl, is just about to settle into her summer vacation routine, babysitting her toddler brother and hanging out with her best friend, when the director of the school musical she starred in in her eponymous debut (2017) invites her to star in the same play—but this time with professional actors in NYC. Once her parents give permission, Mango must contend with her own fears and homesickness, and she faces obstacles including obnoxious co-stars, a case of imposter syndrome, and long-distance fights with her best friend. And the boy she likes is staying in the city too, which makes things even more exciting—and confusing. Mango is a very imperfect, sympathetic protagonist whose humorous perspective is fun to share as she stumbles from one adventure to another, trying to stay true to herself in the process; she peppers her narration with text-message transcripts. Believable secondary characters and lighthearted middle school angst make this journey worth the ride, but Mango’s fascination with white beauty standards detracts a bit from the fun storyline. Mango’s Jamaican dad is a chef trying to get a catering company off the ground while her mom, who has a prosthetic leg, works at Target in order to afford the family’s insurance.

Readers will swallow this book whole, appetites whet for the next installment. (Fiction. 11-13)

Pub Date: March 3, 2020

ISBN: 978-1-4549-3394-6

Page Count: 288

Publisher: Sterling

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure

THE GOOD THIEVES

A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.

Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-1948-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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