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DAUGHTERS OF FIRE

HEROINES OF THE BIBLE

Manushkin floridly retells ten stories about women from the Hebrew Bible, all which will be well known to those who attend religious schools where Biblical stories are told. Although most chapters deal with individuals, Eve, Sarah, Rebecca, Leah, Rachel, etc., she devotes two chapters to “The Women of the Exodus,” including Moses’s mother, and “The Women in the Wilderness,” with the incident of the golden calf. But Hebrew Bible in an English translation should be an example of plain language with certain poetic forms and repetitions meant originally to be transmitted orally. So, when the reteller reduces a perfect line, e.g., “Entreat me not to leave thee . . . ” into, “Do not entreat me to leave you . . . ” simplicity and clarity are lost, replaced by awkwardness and wordiness. Too often the exclamation point is used to convey excitement and danger, rather than verbs to carry the emotion. Alas, although the book is about the matriarchs, the patriarchs, by and large, still set the stage and are more centrally involved in the drama. Shulevitz (What Is a Wise Bird Like You Doing in a Silly Tale Like This?, 2000, etc.), who continues to experiment with style and media, uses mixed media and creates tactile, textured settings that convey time and place. Settings are striking, but human figures are sometimes strange, especially in profile. When Biblical stories are wanted for oral presentation, these will do and the full-page art carries. But—be warned, the wordy embellishments tend to distract from these ancient stories and histories, which is really too bad in such a lush book. (Nonfiction. 9-12)

Pub Date: Sept. 1, 2001

ISBN: 0-15-201869-7

Page Count: 88

Publisher: Silver Whistle/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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THE ACROBAT AND THE ANGEL

In this retelling of a medieval French tale, a starving young acrobat, PÇquelÇ, is allowed to join a Franciscan community only if he promises to give up performing. When he breaks his promise, in order to comfort a plague-stricken infant, a sculpted angel comes to life and bears him away. Although the illustrator frames most of his darkly elaborate illustrations within stone archways decorated with floral designs or grotesques, PÇquelÇ often flies beyond the visual borders, flinging out arms and legs in abandon. His joy is contagious; readers moved by the story’s Italian cousin, retold in Tomie dePaola’s Clown of God (1978), will also respond to this more formal, polished rendition. (Picture book/folklore. 7-9)

Pub Date: Sept. 1, 1999

ISBN: 0-399-22918-3

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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BE BLEST

A CELEBRATION OF SEASONS

This book of seasonal prayers, inspired by Saint Francis of Assisi’s “Canticle of Brother Sun,” and also indebted to Gaelic scholar Alexander Carmichel’s work, can be summed up by a portion of the prayer for November: “Contained in every/season’s end:/the blessing to begin again.” Springtime’s “Sing praise” gives way to summer’s “Rejoice!” and then to harvest time’s “Give Thanks” before winter’s “Be Blest” appears in the encircled prayer that faces each month’s watercolor illustration. The realistic paintings reflect the annual cycle, becoming almost iconographic in the evidence in each of the gifts of the season. These are “God’s good gifts” that in January, for example, are the seeds shaken from dead plants and weeds and the leaf buds on barren branches. The puzzle of the cycle of life springing from death moves on many levels; also appearing in January are predator (fox) and prey (deer). The simple yet sturdy spirituality informing this book will assure its place in both individual and institutional collections that have room for religious titles. (Picture book. 6-8)

Pub Date: Oct. 1, 1999

ISBN: 0-689-80546-2

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1999

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