by Frances Hardinge ‧ RELEASE DATE: May 10, 2017
Madcap, mysterious, magical, and meaty: like Grandible’s cheeses, this may cause visions—or just make your head explode...
A new-old book from Hardinge (published in the U.K. in 2012 but only now arriving stateside) balancing wit and wonder with a dose of big thoughts.
In an underground world where wines control memories and perfumes ensnare minds, babies don’t smile. Expressions are taught; for drudges, only a few Faces, none angry; for members of the Court, hundreds, designed to convey nuanced emotions and hide the truth, taught by celebrated Facesmiths. But 12-year-old Neverfell, white, freckled, red-haired, and taller than almost everyone, is different: her titular face shows her every emotion, uncontrollably, meaning she alone cannot lie. When she runs away from Cheesemaster Grandible, she becomes the pawn of various schemers among the Court and eventually the face of a revolution. Hardinge excels at wordplay and worldbuilding; witty but not trite, her utterly original setting and chaotic, fidgety protagonist anchor a cracking good story that raises important ideas surrounding the nature of friendship, the value of honesty, and the danger of too much, whether luxury, ambition, power, or desire. Each character, however minor, however exaggerated and absurd, leaps fully realized from the page (witness the Kleptomancer, whose thievery is part of a plan he has hidden even from himself).
Madcap, mysterious, magical, and meaty: like Grandible’s cheeses, this may cause visions—or just make your head explode (with delight). Don’t miss it. (Fantasy. 10-adult)Pub Date: May 10, 2017
ISBN: 978-1-4197-2484-8
Page Count: 496
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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by Rebecca Ross ‧ RELEASE DATE: Dec. 26, 2023
The well-paced romantic tension is a highlight of this enjoyable duology closer.
Even a war driven by gods can’t sever communication between journalist lovers Iris and Roman in this steampunk-adjacent romantic adventure.
A prologue sets the scene: Dacre, a god strummed to sleep by magic in Divine Rivals (2023), will not slumber forever. His willingness to wage war to acquire more powerful magic leads him to lay waste to entire towns, and Inkridden Tribune journalist Iris Winnow and war correspondent Roman Kitt can no longer be assured the other is safe—or even still alive. In Iris’ world of cigarette smoke, copper pipes, and driving goggles, colleagues affectionately call each other by their last names, watch each other’s backs, and face danger on the front lines. Though Underling Correspondent Roman is traveling with Dacre’s army, he questions why he was healed of his grievous wounds, while at the same time, he gradually recovers memories of Iris and recalls that she was special to him. Their magically connected typewriters allow for the rediscovery of their love and for communicating potentially deadly information about the invasion of Hawk Shire. The story primarily unfolds from Iris’ and Roman’s viewpoints, and while the prose occasionally uses well-worn phrases, Anglophiles will particularly enjoy the worldbuilding, and returning readers will welcome appearances from Capt. Keegan Torres; her wife, Marisol; and Dacre’s archnemesis—and wife—the goddess Enva. Main characters present white.
The well-paced romantic tension is a highlight of this enjoyable duology closer. (Fantasy. 14-18)Pub Date: Dec. 26, 2023
ISBN: 9781250857453
Page Count: 432
Publisher: Wednesday Books
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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