A sweet slice of neighborhood life; here’s hoping for more of Sam the Man
Seven-year-old Sam’s search for a job leads him to chickens and an unexpected friendship.
Sam’s father does “something with computers,” his mother does “something with clients,” and his older sister, Annabelle, mows lawns at “20 bucks a pop.” When his neighbor stops by to ask Annabelle if she’d take care of her chickens while she’s away for the weekend, Sam persuades Mrs. Kerner that he can do it. He soon realizes he needs a steady stream of income and thinks that maybe his own chicken could help. He arranges with Mrs. Kerner to board his new chicken with hers in exchange for overall chicken care, and he pays his father back for Helga, who lays blue eggs, by taking a job as his elderly neighbor’s exercise companion. Dowell creates in Sam a completely believable 7-year-old whose desires “to be an expert on something” and to emulate his family members combine organically to drive this story of intergenerational (and interspecies) friendship. His burgeoning relationship with grumpy Mr. Stockfish is as much a joy to watch as his excitement over Helga’s first egg. The financial lessons he learns are valuable ones, delivered painlessly in the tightly focused third-person narration. Bates’ soft pencil illustrations depict Sam’s close-knit family as white, Mr. Stockfish and his daughter as black, and his classmates as diverse in color.
A sweet slice of neighborhood life; here’s hoping for more of Sam the Man . (Fiction. 6-9)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-4066-0
Page Count: 128
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A funny and timely primer for budding activists.
Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.
Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.
A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)Pub Date: May 14, 2019
ISBN: 978-0-7352-2941-9
Page Count: 160
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
