Compassionate coming-of-age novel replete with colorful Southern characters and charm.


In this debut work of fiction, Grace Stevens, a promising piano player from a struggling family, goes on a journey of love and loss before making her way back home to the foothills of east Tennessee.

Growing up in the 1960s in Grantville, a small mill town in Tennessee, Grace loves to play the piano, thumping out tunes by ear. Her mother, Arlene, her aunt Doris and her beloved Grammie decide that Grace must get piano lessons from the affluent widow, former Richmond belle and one-time classical pianist who lives in a gracious mansion in the rich part of town. Grace’s father, Hoyt, objects to this idea, preferring to spend cash on a rifle or booze, so the women scrape together the money in secret. While initially crushed by her teacher’s pronouncement that she must unlearn all her bad habits and begin anew, Grace becomes a diligent student, earning the admiration and patronage of “Miss Bertie” and eventually a music scholarship to attend Vanderbilt University in Nashville. At college, Grace forges an unlikely friendship with her privileged roommate, expands her horizons as a pianist for hire, and engages in a romance that further pushes her into her family’s legacy of alcohol abuse. By novel’s end, Grace reconnects to her talent, treasures the network of support she’s blessed with and builds a new life for herself back in Grantville. Debut author Walker infuses a rich Southern flavor into what is certainly a heartfelt tale. First-person narrator Grace is in the tradition of such wise-child observers as Scout in To Kill a Mockingbird (1960) and the eponymous heroine in Kaye Gibbons’ Ellen Foster (1987). While her derailment from her music studies is somewhat disappointing, and the cause for it rather clichéd, Grace’s realization of what’s really important, and her appreciation of the roles that others have played in her life, is truly touching and transcendent. Unlike many authors working in the genre, Walker also conveys nuanced sympathy for her male characters beside an emphasis on sustaining sisterhood.

Compassionate coming-of-age novel replete with colorful Southern characters and charm.

Pub Date: March 20, 2014

ISBN: 978-0615954325

Page Count: 198

Publisher: Frances Walker

Review Posted Online: June 12, 2014

Kirkus Reviews Issue: July 15, 2014

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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