Lovely language and ambitious ideas aside, the novel’s emotional content is thin, and entirely too much relies on some very...
Author of the acclaimed Weetzie Bat series, YA novelist Block gives her YA heroine a mid-life crisis for the adult market—with mixed results.
Fifteen years ago, Block, the 2005 recipient of the American Library Association Margaret A. Edwards Award for lifetime achievement, brought to life Weetzie Bat, a punk-rock L.A. princess with an internal lightning rod for modern magic. With a devoted following, the novels are both heralded and attacked for their edgy content (in the first novel Weetzie conceives daughter Cherokee in a ménage à trois with best friends, and gay lovers, Dirk and Duck.) The question is whether her outcast characters and titillating scenarios will play to an adult crowd. Weetzie at 40 is now wondering if she’s too old for her Hello Kitty watch and orange pants. Her daughters Cherokee and Witch Baby are in college, her Secret Agent Lover Man has turned into just plain old Max (a Cassavetes-like director obsessed with the attacks of 9/11) and though she loves her vintage clothing boutique, Weetzie is wondering where all the magic and kisses have gone. Weetzie packs up her suitcase (the contents of which are listed, indeed much space is given to what Weetzie is wearing) and runs away to the pink hotel. There, Weetzie begins a surreal journey toward healing, or as the hotel’s hermaphroditic lounge singer Heaven/Haven suggests, growing up. She meets Isis, the blue-skinned woman at reception; Shelly, a former mermaid and now trophy wife longing for the sea; Esmeralda, the invisible maid; and the aptly named Pan, in room service. At each encounter, Weetzie gets the kisses she’s longing for, and then left behind in her mouth she finds a precious gem. She was initially drawn to the place as it was the setting of her high-school prom, and now Weetzie finds that Zane Starling, the date she was too afraid to kiss, has a gallery opening at the hotel. Maybe this one last kiss will make all the difference.
Lovely language and ambitious ideas aside, the novel’s emotional content is thin, and entirely too much relies on some very pretty window dressing.Pub Date: Aug. 1, 2005
ISBN: 0-06-077751-6
Page Count: 240
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
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A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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