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LIFE IS FREE, INFORMATION IS NOT

An unfocused, confusing attempt to grapple with a complex philosophical dilemma.

An exploration of the nature of human meaning and the ways the digital age imperils it. 

In 1948, Claude E. Shannon published a seminal paper, “A Mathematical Theory of Communication,” which not only changed the landscape of communication technology, according to Hsu, but the modern understanding of information, which now threatens human civilization. Shannon defined the bit as a fundamental unit for the encoding of information and also declared it meaningless and a devastating problem for mankind. Out of Shannon’s paper grew what the author calls “Machine Information Theory,” which is never clearly defined but seems to amount to the simultaneous aggrandizement of information (it becomes central to human activity) and diminishment (it becomes bereft of any meaning). This is problematic because humans need meaning for their survival. In fact, civilization was born out of and is made possible by written language: “This was the signal event that marked the beginning of civilization with the beginning of written language. The continuity of written symbols spanned the scale of time to provide continuity in society: civilization.” In order to rescue an understanding of information as stored meaning, Hsu argues we need a “Human Information Theory” as a counterweight to the shift inaugurated by Shannon’s work. Such a theory should devise a “single unit of information” that functions as a bearer of meaning, clarifies thorny questions about ownership of information, and can be adequately priced. Hsu’s discussion of meaning raises important and timely questions about the ways information is understood by a society that collapses the distinctions between it and wisdom, knowledge, intelligence, and data. He makes a powerful case that a sizable but misunderstood historical shift has occurred and that this miscomprehension could have disastrous societal implications. Also, the author astutely observes some of the philosophically titillating paradoxes that emerge from the modern interpretation of information. For example, in some senses, information is free, in others it’s extremely costly, and in some circumstances, when meaning is involved, it’s potentially priceless. However, Hsu’s meditation is messy and meandering, and it’s often exasperatingly unclear what point precisely the author is trying to make. Also, while Hsu argues that a Human Information Theory is urgently necessary, the author can’t confidently articulate what such a theory would amount to: “What is the Human Information Theory? To be frank, who knows?” The book concludes with more than 50 pages of paired words—for example, “eternal” versus “transitory”—and encouragement for the reader to think about them, though the objective of that exercise remains nebulous. Finally, contrary to Hsu’s suggestion, the question of meaning and its relation to language is not a new one—Plato discusses it at great length in the Cratylus, long before the digital age. He doesn’t seriously engage the inexhaustible literature on this subject, and as a result, his study is not nearly as searching as it could have been. 

An unfocused, confusing attempt to grapple with a complex philosophical dilemma. 

Pub Date: Nov. 1, 2017

ISBN: 978-0-9985920-0-8

Page Count: 208

Publisher: Time Tunnel Media

Review Posted Online: Sept. 5, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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