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THE POLITICS OF POF AND POOF

INSPECTOR KEENE STORY

A quirky heist tale with too much emphasis on the theft, leaving its more vibrant features behind.

A host of eccentric criminals and an intrepid investigator get lost in the management of the U.S. Postal Service in this novel.

In a promisingly outlandish beginning, Quinlan (Collected Plays of Francis Quinlin, 2016) introduces readers to a man named The Professor, the wild resident of an asylum who channels a modern god named enoon, “deity, third rank, journalist, Cosmic News Bureau, New England Department.” It is actually enoon who narrates the story of POF and POOF, words soon revealed to be competing acronyms for an experiment in new amenities at the Postal Service. Almost five years after the implementation of POOF, $17.5 million of foreign currency disappears from a post office, throwing the postmaster, the U.S. president, numerous reporters, a group of bizarre conspirators, and even a curious old landlady on a collision course with one another and the corrupt, tangled bureaucracy that made the crime possible. At the center of all of this mess is Postal Inspector Emmett Keene, a solid investigator running only a few steps behind the culprits but always a little too late to stop their next crime or keep the chaos from evolving into a potential money-laundering scandal for the government. This is mostly thanks to a small, secret society that is manipulating the press to keep Keene off the track, unwittingly giving one of its own the perfect opportunity for a double-cross. While early chapters feature a blend of inspired lunacy with political critique reminiscent of Kurt Vonnegut or Tom Robbins, Quinlan’s novel buries its most charming features with a more conventional procedural. Too much time with the two-dimensional Keene and an overwhelming number of point-of-view characters produce this effect, but nonetheless there are bright, quirky moments that cannot help but grab the spotlight. An incredibly hot-tempered postal worker, villains who develop their own court system for making decisions, and a man with multiple personalities are just some of the inventive elements that should dominate this story but that unfortunately spend too much time in the shadows.

A quirky heist tale with too much emphasis on the theft, leaving its more vibrant features behind.

Pub Date: Jan. 4, 2017

ISBN: 978-1-5301-5909-3

Page Count: 428

Publisher: CreateSpace

Review Posted Online: April 21, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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