by Francisco X. Alarcón illustrated by Maya Christina Gonzalez ‧ RELEASE DATE: April 1, 1997
An energetic cast of characters in 20 short, freely styled poems in both English and Spanish help readers "see everything for the first time." "My Grandma's Songs" "would follow/the beat of/the washing machine" and "could turn/my grandma/into a young girl." The laughing tomatoes turn their "wireframed/bushes/into/Christmas trees/in spring," shown in a spread in which wedged into the smiling mouths of children and pets are, somewhat astonishingly, slices of heavily seeded tomato. With vibrantly stylized illustrations, this lively gathering carries an invitation from Alarcón to "make these poems yours" by reading them, words followed by the final short poem—"there are no endings/just new beginnings." An accessible, open-hearted collection.
Pub Date: April 1, 1997
ISBN: 978-0-89239-139-4
Page Count: 32
Publisher: Children's Book Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
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by Francisco X. Alarcón ; illustrated by Maya Christina Gonzalez
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by Francisco X. Alarcón & illustrated by Maya Christina Gonzalez
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by Francisco X. Alarcón & illustrated by Paula Barragán
edited by Iona Opie ‧ RELEASE DATE: Oct. 1, 1999
This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)
Pub Date: Oct. 1, 1999
ISBN: 0-7636-0683-9
Page Count: 107
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Iona Opie & illustrated by Rosemary Wells
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edited by Iona Opie & illustrated by Rosemary Wells
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by Iona Opie & Peter Opie & illustrated by Maurice Sendak
by Ann Whitford Paul ‧ RELEASE DATE: Nov. 1, 1999
Prose poems celebrate the feats of young heroines, some of them famous, and some not as well-known. Paul (Hello Toes! Hello Feet!, 1998, etc.) recounts moments in the lives of women such as Rachel Carson, Amelia Earhart, and Wilma Rudolph; these moments don’t necessarily reflect what made them famous as much as they are pivotal events in their youth that influenced the direction of their lives. For Earhart, it was sliding down the roof of the tool shed in a home-made roller coaster: “It’s like flying!” For Rudolph, it was the struggle to learn to walk without her foot brace. Other women, such as Violet Sheehy, who rescued her family from a fire in Hinckley, Minnesota, or Harriet Hanson, a union supporter in the fabric mills of Massachusetts, are celebrated for their brave decisions made under extreme duress. Steirnagle’s sweeping paintings powerfully exude the strength of character exhibited by these young women. A commemorative book, that honors both quiet and noisy acts of heroism. (Picture book/poetry. 6-9)
Pub Date: Nov. 1, 1999
ISBN: 0-15-201477-2
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Ann Whitford Paul ; illustrated by David Walker
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by Ann Whitford Paul ; illustrated by Jay Fleck
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