by François Weil ‧ RELEASE DATE: April 30, 2013
Weil convincingly delineates the fact that origins matter; they fill many needs, from the noble to the nasty.
A genealogy of American genealogy.
L’Académie de Paris chancellor of universities displays both thoroughness and grounding as he stakes out the contours of his American genealogical culture into four distinct periods, with successive dominant meanings and touchstones. The pre-revolutionary experience was caught up with social status, with a “desire to become part of a transatlantic imperial establishment,” a moral and religious exemplarity that manifested itself in ancestral portraits, gravestones and family silver. But this old-regime mindset was radically eclipsed after the revolution; it was too much at odds with “postrevolutionary America’s future-oriented egalitarianism.” Antebellum America democratized the practice of genealogy, taking its cues from the growing significance of the family, the nascent shaping of a national tradition, and the urge for self-knowledge and stability, as seen particularly in the African-American community. Weil then shifts to the years following the Civil War, when blacks sought to reunite their families and whites sought to heal the country’s wounds via nationalism and ancestry, but “at the expense of racial equality.” During the middle of the 20th century, the interest in genealogy was fueled by the Atomic Age and its attendant anxiety and fears for our collective memory, underscored later by the publication of Roots, and “black America’s demands about identity, the past, Africa, and slavery.” America’s obsession with racial categories was tailor-made for interest in heredity, which has led to eugenics. The last few decades have also witnessed a flowering of genealogical societies and an explosion of profitable genealogical businesses, with both legitimate practitioners and hucksters cashing in.
Weil convincingly delineates the fact that origins matter; they fill many needs, from the noble to the nasty.Pub Date: April 30, 2013
ISBN: 978-0-674-04583-5
Page Count: 250
Publisher: Harvard Univ.
Review Posted Online: Feb. 20, 2013
Kirkus Reviews Issue: March 15, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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