by Frank L. Cioffi ‧ RELEASE DATE: March 22, 2015
A teacher’s help would be required for students to find this book useful.
A chatty grammar manual.
Acknowledging that there are many books imparting grammar and usage rules, Cioffi (Writing Director/Baruch Coll.; The Imaginative Argument: A Practical Manifesto for Writers, 2005, etc.) set out to do something different: “provide a human voice chatting about those rules, one that used real-world rather than manufactured language as its model, and one that tried to show how using language carefully can make a difference in terms of human interactions.” The author’s 300 real-world samples come from newspapers (USA Today and the International Herald Tribune recur) and magazines (Sports Illustrated, the New Yorker) from Dec. 29, 2008, a day he chose “because of its very ordinariness.” Although some of the sentences refer to movie stars, bank failures, sports events and other trendy topics, the selections, taken out of context, are sometimes more confusing than the grammar rules they’re supposed to exemplify. Cioffi’s goal of being chatty is amply fulfilled, but there’s a disconnect between that breezy tone and his explanations of grammatical points. Although the author says he assigns the book in a first-year writing class, his audience seems to be fairly sophisticated working adults (don’t correct your boss’s grammar, he advises) who may feel anxious about how others “judge and categorize” their social class, education and intelligence by their grammar proficiency. Besides six chapters covering fundamentals of grammar—parts of speech, punctuation and diction—Cioffi includes a glossary of 50 key terms that he already has defined in the text. One appendix debunks 15 grammar myths, many of which can be boiled down to the assumption that grammar doesn’t matter in the age of tweets and self-publishing; another appendix offers hints about how to use the book as a classroom text.
A teacher’s help would be required for students to find this book useful.Pub Date: March 22, 2015
ISBN: 978-0691165073
Page Count: 392
Publisher: Princeton Univ.
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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