A fun murder-and-mayhem detective story enhanced by historical details and a sturdy female lead.
Caroline Case and Hannibal Jones, now living in a lush penthouse in Chicago, return in Gertcher’s second installment of a series, once again navigating the crossfire of the warring Al Capone and a North Side gang.
It’s October 1928, and Caroline—formerly the madam of a houseboat brothel in the Wabash Valley and currently a private detective together with her partner Hannibal—receives an early morning phone call from neighbor and new friend Ruth Meltzer. The police are at Ruth’s apartment, having just informed her of the death of her 28-year-old son, Sydney. His lifeless body was discovered in his suite at the luxe Steven’s Hotel. Caroline and Hannibal have their next case. Sydney, a handsome, rich playboy, frequented one of Chicago’s vast assortment of speak-easies, known as “blind pigs.” As Caroline explains, “rival Chicago gangs fight bloody battles over control of the illegal booze trade. Murders are frequent, and I investigate.” Two different poisons are found in Sydney’s system, and it appears more than one person wanted him dead. Meanwhile, the duo is handed another case. Someone is trying to kill Giuseppe Costanzo’s youngest son, Michael. Giuseppe owns a string of bakeries in Chicago; not incidentally, he also launders money for Capone. There is plenty of fuel for a high-action drama, and Gertcher doesn’t disappoint. Like the series opener, the novel is enjoyably lightened by humor and a strong protagonist. And vivid portrayals of locale, décor, and clothing land readers squarely in the Roaring ’20s. One caveat: Caroline’s repetitious description of her favorite evening lounge attire becomes wearying. Nonetheless, Caroline is smart, confident, and spirited, and in between the shootings, knifings, and a kidnapping is some solid sleuthing. Gertcher supplies a sizable cast of likable secondary players; kudos go to Ruth, a clever, wealthy widow with a wickedly useful cane.
A fun murder-and-mayhem detective story enhanced by historical details and a sturdy female lead.Pub Date: Oct. 15, 2020
ISBN: 978-0-9835754-6-7
Page Count: 320
Publisher: Wind Grass Hill Books
Review Posted Online: Sept. 18, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
