A fun murder-and-mayhem detective story enhanced by historical details and a sturdy female lead.



Caroline Case and Hannibal Jones, now living in a lush penthouse in Chicago, return in Gertcher’s second installment of a series, once again navigating the crossfire of the warring Al Capone and a North Side gang.

It’s October 1928, and Caroline—formerly the madam of a houseboat brothel in the Wabash Valley and currently a private detective together with her partner Hannibal—receives an early morning phone call from neighbor and new friend Ruth Meltzer. The police are at Ruth’s apartment, having just informed her of the death of her 28-year-old son, Sydney. His lifeless body was discovered in his suite at the luxe Steven’s Hotel. Caroline and Hannibal have their next case. Sydney, a handsome, rich playboy, frequented one of Chicago’s vast assortment of speak-easies, known as “blind pigs.” As Caroline explains, “rival Chicago gangs fight bloody battles over control of the illegal booze trade. Murders are frequent, and I investigate.” Two different poisons are found in Sydney’s system, and it appears more than one person wanted him dead. Meanwhile, the duo is handed another case. Someone is trying to kill Giuseppe Costanzo’s youngest son, Michael. Giuseppe owns a string of bakeries in Chicago; not incidentally, he also launders money for Capone. There is plenty of fuel for a high-action drama, and Gertcher doesn’t disappoint. Like the series opener, the novel is enjoyably lightened by humor and a strong protagonist. And vivid portrayals of locale, décor, and clothing land readers squarely in the Roaring ’20s. One caveat: Caroline’s repetitious description of her favorite evening lounge attire becomes wearying. Nonetheless, Caroline is smart, confident, and spirited, and in between the shootings, knifings, and a kidnapping is some solid sleuthing. Gertcher supplies a sizable cast of likable secondary players; kudos go to Ruth, a clever, wealthy widow with a wickedly useful cane.

A fun murder-and-mayhem detective story enhanced by historical details and a sturdy female lead.

Pub Date: Oct. 15, 2020

ISBN: 978-0-9835754-6-7

Page Count: 320

Publisher: Wind Grass Hill Books

Review Posted Online: Sept. 18, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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Follett's fans will enjoy this jaunt through the days before England was merry.


Murder, sex, and unholy ambition threaten to overwhelm the glimmers of light in Dark Ages England in this prequel to The Pillars of the Earth (1989).

A Viking raid in 997 C.E. kills Edgar’s one true love, Sungifu, and he vows never to love another—but come on, he’s only 18. The young man is a talented builder who has strong personal values. Weighing the consequences of helping a slave escape, he muses, “Perhaps there were principles more important than the rule of law.” Meanwhile, Lady Ragna is a beautiful French noblewoman who comes to Shiring, marries the local ealdorman, Wilwulf, and starts a family. Much of the action takes place in Dreng’s Ferry, a tiny hamlet with “half a dozen houses and a church.” Dreng is a venal, vicious ferryman who hurls his slave’s newborn child into a river and is only one of several characters whose death readers will eagerly root for. Bishop Wynstan lusts to become an archbishop and will crush anyone who stands in his way. He clashes with Ragna as she announces she is lord of the Vale of Outhen. “Wait!” he says to the people, “Are you going to be ruled by a mere woman?” (Wynstan’s fate is delicious.) Aldred is a kindly monk who harbors an unrequited love for Edgar, who in turn loves Ragna but knows it’s hopeless: Although widowed after Wilwulf’s sudden death, she remains above Edgar’s station. There are plenty of other colorful people in this richly told, complex story: slaves, rapists, fornicators, nobles, murderers, kind and decent people, and men of the cloth with “Whore’s Leprosy.” The plot at its core, though, is boy meets girl—OK, Edgar meets Ragna—and a whole lot of trouble stands in the way of their happiness. They are attractive and sympathetic protagonists, and more’s the pity they’re stuck in the 11th century. Readers may guess the ending well before Page 900—yes, it’s that long—but Follett is a powerful storyteller who will hold their attention anyway.

Follett's fans will enjoy this jaunt through the days before England was merry.

Pub Date: Sept. 15, 2020

ISBN: 978-0-52-595498-9

Page Count: 928

Publisher: Viking

Review Posted Online: July 1, 2020

Kirkus Reviews Issue: July 15, 2020

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.


In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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