A sharp, immersive family drama played out against the ravages of war.

Brotherhood of Iron

From the The Castor Family Trilogy series , Vol. 2

Slaughter (Echoes of Distant Thunder, 2011) continues the saga of the Castor family against the backdrop of World War I and the mining industry.

Two generations removed from Will Castor, the haunted veteran of the Civil War’s Battle of Chickamauga, the Castors have become a prominent family in the mining town of Ishpeming, Michigan. When a conflict even greater than the War Between the States breaks out in Europe, two of the Castor boys answer the call: John, a shy, studious young man whom the other Marines call “Teach,” and Matt, a charming rake who’s popular with his fellow soldiers as well as with the farm girls of France. On the home+front, their brother Jacob commits a taboo by asking to marry their adopted sister, Rosemarie. Another brother, Bill, runs off to sail the Great Lakes but descends into a listless life of women and booze. In Ishpeming, their father, Robert, attempts to hold the family together while managing the town’s profitable, if dangerous, mine for a Cleveland-based mining company. As pressures mount at home and abroad, the family members are pressed to the limits of their strength, locked in a struggle against the complex, deadly industry of man. The author again demonstrates a remarkable knack for period details—from contemporary slang and popular dances to the equipment and routines of the mining industry—and a powerful ability to render battlefields in all their terrible, peculiar horror: “Sporadic enemy shells had begun to land close by….They were not the earth-shaking detonations of high explosives; they were the dull thuds of gas shells.” As in the previous novel in the Castor Family Trilogy, the real war here is internal and lasts long after shots have ceased to ring out; it’s fought in the minds of those lucky (or unlucky) enough to survive. With this story, however, Slaughter is able to expand beyond the effects of war on one person to explore their repercussions for an entire family—a clan that holds sacred its responsibility to protect its members from harm.

A sharp, immersive family drama played out against the ravages of war.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Mission Point Press

Review Posted Online: June 16, 2016

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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