An ornate, gruesome, and rigorously crafted Civil War novel.
Slaughter tells the story of a Civil War veteran’s attempts to silence his ghosts while working in the lumber camps of Michigan in this debut novel.
Will Castor serves in Battery D, 1st Regiment, Michigan Light Artillery, sending shells into the ranks of Confederate infantry whenever he’s ordered to do so. When his unit’s position is overrun at the Battle of Chickamauga, Will witnesses and commits ghastly horrors to survive the day. Separated from his army and incapacitated with a broken leg, he hooks up with a Confederate deserter who takes him home to Tennessee and shelters him. While there, Will develops strong feelings for the Rebel’s sister, Mollie. Back in Michigan after the war, he finds work at a lumber company in East Saginaw and attempts to lose himself in the hard life and colorful atmosphere of the camp. As a land looker (someone who evaluates standing timber), Will has the opportunity to traverse the Edenic forest, free of associations and memory. Even so, he struggles with the ghosts of his past, retreating ever deeper into the bottle and into the woods. Haunted by the traumas of the war, the wilds present Will with an unexpected opportunity for redemption—though it may prove to be an even greater battle than the one at Chickamauga. Slaughter is a fastidious writer, summoning the worlds of Civil War artillery and the 19th-century lumber industry in all their gritty details. A frame story about a Castor descendant searching for Will’s grave feels unnecessary and forced, but the scenes of war are replete with all the fire and death the reader expects from a Civil War novel: “Here and there the haze was ripped by long angry streaks of red from the mouths of the guns that set huge swirling eddies adrift in the dense smoke.” Perhaps the most impressive aspect of the story is its postwar period and its depiction of Will’s PTSD. The reader feels great empathy for this broken veteran, stumbling about in an era when the language for such aftereffects had not yet been established.
An ornate, gruesome, and rigorously crafted Civil War novel.Pub Date: June 18, 2016
ISBN: 978-1-9439-9509-7
Page Count: 326
Publisher: Mission Point Press
Review Posted Online: June 16, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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