In this intricate sequel to the award-winning A Death in Vienna (2006), Tallis uses his knowledge of medicine, music,...
An alarmingly prolific serial killer terrorizes turn-of-the-century Vienna.
Police inspector Oskar Rheinhardt is called to a modest house in the rundown Spittelberg district where a madam and three young prostitutes have been brutally murdered. The only definite clue is an enigmatic symbol scrawled on a wall. (It takes Sigmund Freud himself, chapters later, to identify it as a swastika, from the Sanskrit.) As in previous cases, Rheinhardt consults brilliant psychotherapist Max Liebermann, a classically trained pianist who also provides the accompaniment for Rheinhardt’s singing on their musical evenings. Because the weapon appears to be a saber, Rheinhardt begins with the questioning of a swaggering company of military officers. Amelia Lydgate, a feminist doctor with a knowledge of advanced forensic techniques, helps with blood analysis. Liebermann, recently engaged to the beautiful Clara, finds himself inconveniently attracted to the vibrant physician. Two more murders, of a Czech street vendor and the Nubian servant to an influential professor, confirm the presence of a serial killer but bring Rheinhardt no closer to his identity. Could he be connected to Vienna’s recent upsurge of xenophobia, or to the bizarre zoo killing of boa constrictor Hildegard, the emperor’s favorite snake, ritualistically cut into three pieces?
In this intricate sequel to the award-winning A Death in Vienna (2006), Tallis uses his knowledge of medicine, music, psychology and history to create an endlessly fascinating portrait of 1902 Vienna.Pub Date: Jan. 15, 2008
ISBN: 978-0-8129-7776-9
Page Count: 480
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2007
An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.
Too much free time leads a New Hampshire bookseller into yet another case of murder.
Now that Tricia Miles has Pixie Poe and Mr. Everett practically running her bookstore, Haven’t Got a Clue, she finds herself at loose ends. Her wealthy sister, Angelica, who in the guise of Nigela Ricita has invested heavily in making Stoneham a bookish tourist attraction, is entering the amateur competition for the Great Booktown Bake-Off. So Tricia, who’s recently taken up baking as a hobby, decides to join her and spends a lot of time looking for the perfect cupcake recipe. A visit to another bookstore leaves Tricia witnessing a nasty argument between owner Joyce Widman and next-door neighbor Vera Olson over the trimming of tree branches that hang over Joyce’s yard—also overheard by new town police officer Cindy Pearson. After Tricia accepts Joyce’s offer of some produce from her garden, they find Vera skewered by a pitchfork, and when Police Chief Grant Baker arrives, Joyce is his obvious suspect. Ever since Tricia moved to Stoneham, the homicide rate has skyrocketed (Poisoned Pages, 2018, etc.), and her history with Baker is fraught. She’s also become suspicious about the activities at Pets-A-Plenty, the animal shelter where Vera was a dedicated volunteer. Tricia’s offered her expertise to the board, but president Toby Kingston has been less than welcoming. With nothing but baking on her calendar, Tricia has plenty of time to investigate both the murder and her vague suspicions about the shelter. Plenty of small-town friendships and rivalries emerge in her quest for the truth.
An anodyne visit with Tricia and her friends and enemies hung on a thin mystery.Pub Date: Aug. 13, 2019
ISBN: 978-1-9848-0272-9
Page Count: 320
Publisher: Berkley
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.
**Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach. Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express. This is the only name now known for the book. The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.
Pub Date: Feb. 28, 1934
ISBN: 978-0062073495
Page Count: -
Publisher: Dodd, Mead
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Feb. 1, 1934
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